Readers new to Gooseberry Park will hope they don’t have to wait another 20 years for the next book

GOOSEBERRY PARK AND THE MASTER PLAN

Twenty years after the publication of Gooseberry Park (1995), Rylant returns with a sequel.

In the previous outing, the residents of Gooseberry Park coped with an ice storm; now, a drought threatens Stumpy the squirrel and her family, along with all the other animals. This spurs house pets chocolate Lab Kona and hermit crab Gwendolyn to devise the titular master plan to help their friends through the ecological disaster. Herman the crow—so smart that the rest of the crows have given up the annual chess match because they got sick of losing to him—works out a flowchart that involves a cat, a possum, a raccoon, 200 owls, and 20 packs of chewing gum. Murray the bat’s motivational-speaker brother puts his well-developed jaw muscles to work on the gum; Kona’s chocolate-Lab sincerity wins the unprecedented cooperation of 200 owls. Rylant writes with her customary restrained humor, creating with apparently no effort a full cast of three-dimensional furred and feathered characters. The story comes with lessons ranging from the overuse of fossil fuels to the peculiar magic of friendship, all applied with a gentle hand and a spirit of generous trust in the abilities of her readers to understand them. Her frequent collaborator Howard supplies lumpily humorous grayscale illustrations that augment the character development and give readers’ eyes places to rest.

Readers new to Gooseberry Park will hope they don’t have to wait another 20 years for the next book . (Fantasy. 8-12)

Pub Date: April 21, 2015

ISBN: 978-1-4814-0449-5

Page Count: 128

Publisher: Beach Lane/Simon & Schuster

Review Posted Online: March 3, 2015

Kirkus Reviews Issue: March 15, 2015

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Utterly believable, this bittersweet story, complete with an author’s note identifying the real Ivan, will inspire a new...

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THE ONE AND ONLY IVAN

How Ivan confronts his harrowing past yet stays true to his nature exemplifies everything youngsters need to know about courage.

Living in a "domain" of glass, metal and cement at the Big Top Mall, Ivan sometimes forgets whether to act like a gorilla or a human—except Ivan does not think much of humans. He describes their behavior as frantic, whereas he is a peaceful artist. Fittingly, Ivan narrates his tale in short, image-rich sentences and acute, sometimes humorous, observations that are all the more heartbreaking for their simple delivery. His sorrow is palpable, but he stoically endures the cruelty of humans until Ruby the baby elephant is abused. In a pivotal scene, Ivan finally admits his domain is a cage, and rather than let Ruby live and die in grim circumstances, he promises to save her. In order to express his plea in a painting, Ivan must bravely face buried memories of the lush jungle, his family and their brutal murder, which is recounted in a brief, powerful chapter sure to arouse readers’ passions. In a compelling ending, the more challenging question Applegate poses is whether or not Ivan will remember what it was like to be a gorilla. Spot art captures poignant moments throughout.

Utterly believable, this bittersweet story, complete with an author’s note identifying the real Ivan, will inspire a new generation of advocates. (author’s note) (Fiction. 8-12)

Pub Date: Jan. 17, 2012

ISBN: 978-0-06-199225-4

Page Count: 320

Publisher: Harper/HarperCollins

Review Posted Online: Sept. 28, 2011

Kirkus Reviews Issue: Oct. 15, 2011

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For every dreaming girl (and boy) with a pencil in hand (or keyboard) and a story to share. (Memoir/poetry. 8-12)

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BROWN GIRL DREAMING

A multiaward–winning author recalls her childhood and the joy of becoming a writer.

Writing in free verse, Woodson starts with her 1963 birth in Ohio during the civil rights movement, when America is “a country caught / / between Black and White.” But while evoking names such as Malcolm, Martin, James, Rosa and Ruby, her story is also one of family: her father’s people in Ohio and her mother’s people in South Carolina. Moving south to live with her maternal grandmother, she is in a world of sweet peas and collards, getting her hair straightened and avoiding segregated stores with her grandmother. As the writer inside slowly grows, she listens to family stories and fills her days and evenings as a Jehovah’s Witness, activities that continue after a move to Brooklyn to reunite with her mother. The gift of a composition notebook, the experience of reading John Steptoe’s Stevie and Langston Hughes’ poetry, and seeing letters turn into words and words into thoughts all reinforce her conviction that “[W]ords are my brilliance.” Woodson cherishes her memories and shares them with a graceful lyricism; her lovingly wrought vignettes of country and city streets will linger long after the page is turned.

For every dreaming girl (and boy) with a pencil in hand (or keyboard) and a story to share. (Memoir/poetry. 8-12)

Pub Date: Aug. 28, 2014

ISBN: 978-0-399-25251-8

Page Count: 336

Publisher: Nancy Paulsen Books

Review Posted Online: June 25, 2014

Kirkus Reviews Issue: July 15, 2014

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