Unfortunately, Kitty is too perfect and naïve in both her worlds to be very interesting. And for a novel about a...
The cat-owning spinster co-owner of a struggling independent bookstore begins to experience more-than-vivid dreams of an alternate life in this debut novel.
Book lover Kitty Miller appears to have it all. She's an independent woman in early 1960s Denver with a passion for books and a modest inheritance that helped her open a small bookstore with her best friend, Frieda. Though the store just squeaks by, and though she's in her 30s and still single, she finds herself granted “an element of freedom and quirkiness that other women our age don’t have.” But Kitty's simple life is interrupted as she finds herself dreaming at night of a husband named Lars, a robust sex life and children she adores. All this is very strange, and Kitty starts to doubt the choices she’s made in her daytime life, preferring the seemingly perfect housewife-life of her dreams. She can’t quite believe her dream life, though, and finds herself puzzled over how she knows how to take care of children or run a household. She also discovers her dream life is not as perfect as she first thought: Her parents, who are very much alive in her real life, have died in a plane crash, and one of her children is autistic (which is dealt with awkwardly, as are the historical aspects of the novel); she's also lost the bookstore and Frieda's friendship. There are mysteries galore, and like Nancy Drew, Kitty sets out to solve the case and find the links between her two worlds, as memories from each surprise and interrupt her.
Unfortunately, Kitty is too perfect and naïve in both her worlds to be very interesting. And for a novel about a bibliophile, there’s little about books beyond an adolescent interest.Pub Date: March 3, 2015
ISBN: 978-0-06-233300-1
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: Jan. 7, 2015
Kirkus Reviews Issue: Jan. 15, 2015
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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