Unfortunately, Kitty is too perfect and naïve in both her worlds to be very interesting. And for a novel about a...
The cat-owning spinster co-owner of a struggling independent bookstore begins to experience more-than-vivid dreams of an alternate life in this debut novel.
Book lover Kitty Miller appears to have it all. She's an independent woman in early 1960s Denver with a passion for books and a modest inheritance that helped her open a small bookstore with her best friend, Frieda. Though the store just squeaks by, and though she's in her 30s and still single, she finds herself granted “an element of freedom and quirkiness that other women our age don’t have.” But Kitty's simple life is interrupted as she finds herself dreaming at night of a husband named Lars, a robust sex life and children she adores. All this is very strange, and Kitty starts to doubt the choices she’s made in her daytime life, preferring the seemingly perfect housewife-life of her dreams. She can’t quite believe her dream life, though, and finds herself puzzled over how she knows how to take care of children or run a household. She also discovers her dream life is not as perfect as she first thought: Her parents, who are very much alive in her real life, have died in a plane crash, and one of her children is autistic (which is dealt with awkwardly, as are the historical aspects of the novel); she's also lost the bookstore and Frieda's friendship. There are mysteries galore, and like Nancy Drew, Kitty sets out to solve the case and find the links between her two worlds, as memories from each surprise and interrupt her.
Unfortunately, Kitty is too perfect and naïve in both her worlds to be very interesting. And for a novel about a bibliophile, there’s little about books beyond an adolescent interest.Pub Date: March 3, 2015
ISBN: 978-0-06-233300-1
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: Jan. 7, 2015
Kirkus Reviews Issue: Jan. 15, 2015
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
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