In another fine novel about Crisfield, Md., Voigt tells of the growing up of Mina Smiths, fondly remembered as the girl who brilliantly defended Dicey Tillerman when the English teacher accused her of plagiarism (in Dicey's Song), and for her friendship with Tamer Shipp (of The Runner). Mina is a vibrant protagonist: super-bright, self-assured, likable. At 11, she's a scholarship student and the only black in a summer ballet program for gifted students. Joyfully, she expands her horizons in classical music, multiple friendships, and ballet; yet when she returns the next year, she is awkwardly gangly from a growth spurt; moreover, her developing social consciousness has made her so much less compliant that she's sent home, feeling all the uneasiness of precarious black/white interaction. Meeting Tamer, her father's summer replacement as minister at the local church, she finds a friend with intelligence and a questing spirit to match her own. Mina has always had a relationship of mutual confidence and respect with her parents; now Tamer, precious yet unattainable, becomes the person for whom she feels the warmest regard. Meanwhile, as years pass and schoolgirl crush becomes more mature love, Mina hears the old story about Bullet Tillerman, lost in Vietnam, meets Dicey, and brings old Mrs. Tillerman and Tamer together in a moving scene where each unexpectedly helps the other to make peace with the past. Tamer moves far away, and at the story's close Mina is lucky enough to meet a gifted young man her own age. No brief synopsis can do justice to the novel's rich texture: the warm, complex Smiths family, the carefully wrought members of the close-knit community where they live, the humorous and serious give and take, the gradual rise of Mina's awareness, the fundamentally generous spirit. Not a sequel but a parallel narrative that Voigt's fans will be eager to read; it should bring her new fans as well.
Pub Date: Sept. 1, 1986
ISBN: 068980444X
Page Count: 262
Publisher: Atheneum
Review Posted Online: Oct. 27, 2011
Kirkus Reviews Issue: Aug. 15, 1986
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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