DAVID AND JONATHAN

A compelling triangle: Hank, 16, child of an upper-crust Bostonian and a penniless composer; his best friend Jonathan, whose mother, a Holocaust survivor, runs a restaurant with her husband; Jonathan's cousin David, 21, who leaves a psychiatric hospital to live with Jonathan's family in a last hope of alleviating his depression. All three are gifted; in an opening episode, Hank—now a surgeon—must operate on critically wounded Jonathan (Ph.D. in linguistics) in Vietnam; David, having proven unable to face his pastor his talents, is dead. Flashing back, the book develops the relationships of the boys' youth—Hank's hurt at Jonathan's apparent coldness after David arrives, David's cruel needling as he acts out his angst, Jonathan's admission to Hank that he's sticking close to David to prevent his suicide. Enlisted in the effort (which nonetheless fails), Hank does give Jonathan the courage to go on. In the concluding Vietnam episode, Jonathan survives, though he's lost an eye: again, Hank has "limited the damage." Though these characters don't have the warmth that enthralls readers of the Dicey books, the boys' intellectual banter rings true, giving their anguished grappling with their emotions about their families, each other, and the horrors of the Holocaust special poignance. Even the rather shadowy parents are believable mixes of strengths and fallibilities, while Hank and Jonathan's vividly realized loyalties and affections carry them through the trauma of trying and failing to help David and of understanding the significance of their actions. Intelligent, thoughtful, and challenging. (Fiction. YA)

Pub Date: April 1, 1992

ISBN: 0-590-45165-0

Page Count: 256

Publisher: Scholastic

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 1, 1992

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This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.

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GIRL IN PIECES

After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.

Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)

Pub Date: Aug. 30, 2016

ISBN: 978-1-101-93471-5

Page Count: 416

Publisher: Delacorte

Review Posted Online: May 4, 2016

Kirkus Reviews Issue: May 15, 2016

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Black is building a complex mythology; now is a great time to tune in.

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THE CRUEL PRINCE

From the Folk of the Air series , Vol. 1

Black is back with another dark tale of Faerie, this one set in Faerie and launching a new trilogy.

Jude—broken, rebuilt, fueled by anger and a sense of powerlessness—has never recovered from watching her adoptive Faerie father murder her parents. Human Jude (whose brown hair curls and whose skin color is never described) both hates and loves Madoc, whose murderous nature is true to his Faerie self and who in his way loves her. Brought up among the Gentry, Jude has never felt at ease, but after a decade, Faerie has become her home despite the constant peril. Black’s latest looks at nature and nurture and spins a tale of court intrigue, bloodshed, and a truly messed-up relationship that might be the saving of Jude and the titular prince, who, like Jude, has been shaped by the cruelties of others. Fierce and observant Jude is utterly unaware of the currents that swirl around her. She fights, plots, even murders enemies, but she must also navigate her relationship with her complex family (human, Faerie, and mixed). This is a heady blend of Faerie lore, high fantasy, and high school drama, dripping with description that brings the dangerous but tempting world of Faerie to life.

Black is building a complex mythology; now is a great time to tune in. (Fantasy. 14-adult)

Pub Date: Jan. 2, 2018

ISBN: 978-0-316-31027-7

Page Count: 384

Publisher: Little, Brown

Review Posted Online: Sept. 26, 2017

Kirkus Reviews Issue: Oct. 15, 2017

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