DAVID AND JONATHAN

A compelling triangle: Hank, 16, child of an upper-crust Bostonian and a penniless composer; his best friend Jonathan, whose mother, a Holocaust survivor, runs a restaurant with her husband; Jonathan's cousin David, 21, who leaves a psychiatric hospital to live with Jonathan's family in a last hope of alleviating his depression. All three are gifted; in an opening episode, Hank—now a surgeon—must operate on critically wounded Jonathan (Ph.D. in linguistics) in Vietnam; David, having proven unable to face his pastor his talents, is dead. Flashing back, the book develops the relationships of the boys' youth—Hank's hurt at Jonathan's apparent coldness after David arrives, David's cruel needling as he acts out his angst, Jonathan's admission to Hank that he's sticking close to David to prevent his suicide. Enlisted in the effort (which nonetheless fails), Hank does give Jonathan the courage to go on. In the concluding Vietnam episode, Jonathan survives, though he's lost an eye: again, Hank has "limited the damage." Though these characters don't have the warmth that enthralls readers of the Dicey books, the boys' intellectual banter rings true, giving their anguished grappling with their emotions about their families, each other, and the horrors of the Holocaust special poignance. Even the rather shadowy parents are believable mixes of strengths and fallibilities, while Hank and Jonathan's vividly realized loyalties and affections carry them through the trauma of trying and failing to help David and of understanding the significance of their actions. Intelligent, thoughtful, and challenging. (Fiction. YA)

Pub Date: April 1, 1992

ISBN: 0-590-45165-0

Page Count: 256

Publisher: Scholastic

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 1, 1992

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How can such a hefty tome be un-put-down-able excitement from beginning to end? (glossary) (Fantasy. 14 & up)

CROOKED KINGDOM

From the Six of Crows series , Vol. 2

This hefty sequel to Six of Crows (2015) brings high-tension conclusions to the many intertwined intrigues of Ketterdam.

It's time for revenge—has been ever since old-before-his-time crook Kaz and his friends were double-crossed by the merchant princes of Ketterdam, an early-industrial Amsterdam-like fantasy city filled to the brim with crime and corruption. Disabled, infuriated, and perpetually scheming Kaz, the light-skinned teen mastermind, coordinates the efforts to rescue Inej. Though Kaz is loath to admit weakness, Inej is his, for he can't bear any harm come to the knife-wielding, brown-skinned Suli acrobat. Their team is rounded out by Wylan, a light-skinned chemist and musician whose merchant father tried to have him murdered and who can't read due to a print disability; Wylan's brown-skinned biracial boyfriend, Jesper, a flirtatious gambler with ADHD; Nina, the pale brunette Grisha witch and recovering addict from Russia-like Ravka; Matthias, Nina's national enemy and great love, a big, white, blond drüskelle warrior from the cold northern lands; and Kuwei, the rescued Shu boy everyone wants to kidnap. Can these kids rescue everyone who needs rescuing in Ketterdam's vile political swamp? This is dark and violent—one notable scene features a parade of teens armed with revolvers, rifles, pistols, explosives, and flash bombs—but gut-wrenchingly genuine. Astonishingly, Bardugo keeps all these balls in the air over the 500-plus pages of narrative.

How can such a hefty tome be un-put-down-able excitement from beginning to end? (glossary) (Fantasy. 14 & up)

Pub Date: Sept. 27, 2016

ISBN: 978-1-62779-213-4

Page Count: 560

Publisher: Henry Holt

Review Posted Online: Aug. 2, 2016

Kirkus Reviews Issue: Aug. 15, 2016

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In the end, it’s just another violent dystopian series opener for all its yellow-brick veneer, but it’s a whole lot more fun...

DOROTHY MUST DIE

When a cyclone deposits a 21st-century Kansas teen in Oz, she and readers discover there’ve been some changes made.

Dirt-poor “Salvation Amy” Gumm lives in a trailer park, effectively parenting her alcoholic mom (her dad ran off years ago), who seems to care more about her pet rat, Star, than her daughter. That doesn’t mean Amy is eager to be in Oz, particularly this Oz. Tyrannized by a megalomaniacal Dorothy and mined of its magic, it’s a dystopian distortion of the paradise Baum and MGM depicted. In short order, Amy breaks the wholly capricious laws and is thrown into a cell in the Emerald City with only Star for company. There, she’s visited first by the mysterious but sympathetic Pete and then by the witch Mombi, who breaks her out and takes her to the Revolutionary Order of the Wicked (among whom is the very hot Nox). Amy may well be the salvation of Oz—only someone from the Other Place can take Dorothy down. Paige has clearly had the time of her life with this reboot, taking a dystopian-romance template and laying it over Oz. Readers of Baum’s books will take special delight in seeing new twists on the old characters, and they will greet the surprise climactic turnabout with the smugness of insiders.

In the end, it’s just another violent dystopian series opener for all its yellow-brick veneer, but it’s a whole lot more fun than many of its ilk. (Dystopian fantasy. 14 & up)

Pub Date: April 1, 2014

ISBN: 978-0-06-228067-1

Page Count: 464

Publisher: Harper/HarperCollins

Review Posted Online: March 3, 2014

Kirkus Reviews Issue: March 15, 2014

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