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SONS FROM AFAR

Continuing the story of the Tillermans of Crisfield, Md. (Dicey's Song—Newbery Medal, 1983—plus four other books, more or less related), Voigt chronicles the spring Dicey's two brothers seek news of their father. James, 15, a thinker who does so well in school that he dismisses himself as a dork, is the one who wants to know; Sammy, a doer, is willing to help, although as a seventh grader with no self-image problems he doesn't see the point. They know nothing of their father except that he never married their mother, leaving her to cope alone with four children. Frank Verriker's trail leads them to his third-grade teacher, who adored him in spite of his mischief; a high-school principal who expelled him; a seedy Baltimore dockside bar where the name Verriker evokes such anger that they escape the ensuing brawl only after both are injured. Meanwhile, James has listened to Sammy's advice to just be himself, and Sammy has become the one more deeply involved in the quest for a father—or his own identity. In the end, each realizes that "people never exactly duplicate[d] one another." Though they recognize and fear in themselves the qualities of their charming, conscienceless con-man father, they are not doomed to repeat them as faults, and may even share them as virtues. Close friends of the Tillermans—and there are many—will be engrossed even in the slow-moving and introspective parts of this long story. At the climax, there's enough action to reward the patient. And at the conclusion, it's clear that though James' and Sammy's search for a father to follow was always bound to fail, each has in the other a close friend and advisor with complementary talents. It's also clear that Voigt has, with her usual careful crafting, built toward this moment with every line of a complex novel.

Pub Date: Oct. 1, 1987

ISBN: 0689808895

Page Count: 292

Publisher: Atheneum

Review Posted Online: Oct. 27, 2011

Kirkus Reviews Issue: Sept. 15, 1987

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WE'RE A BAD IDEA, RIGHT?

A light and entertaining plot-driven romance.

A Connecticut girl and her best friend devise a series of plans in order to achieve their goals: following a dream and winning back an ex.

Eighteen-year-old Audrey Barbour has a Master Plan: attend Blue Ridge Glass School in North Carolina and someday turn her Etsy shop, Golightly Glass, into a thriving business. But her uber-wealthy parents insist that she instead follow in their footsteps and go to business school. So Audrey decides to go find the tuition money she needs with help from her best friend, Henry Chen. Henry needs a favor, too: He hopes that fake dating Audrey will help him win back his ex-girlfriend, and he points out to a reluctant Audrey that this could make her crush, Griffin, notice her. While Audrey’s parents vacation in France for three weeks, the pair rent out the Barbour mansion on the Long Island Sound. Soon romantic chemistry grows alongside their business partnership. Despite the pair’s great preparation and an abundance of secondary characters with connections and talents to help pull off their increasingly ambitious ideas, plans go awry, leaving Audrey and Henry scrambling and second-guessing their choices. The pacing is even, but the characters often take a back seat to the whirlwind of activity that drives the plot, with the emphasis falling on each person’s practical skills and their role in keeping the action moving over their emotional bonds. Audrey is white, and Henry’s surname cues him as Chinese American.

A light and entertaining plot-driven romance. (Romance. 14-18)

Pub Date: March 31, 2026

ISBN: 9780593904794

Page Count: 384

Publisher: Delacorte Romance

Review Posted Online: Dec. 12, 2025

Kirkus Reviews Issue: Jan. 15, 2026

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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