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VOICES

Quite a jolt for Roman radio journalist Michela Canova's new series on unsolved crimes against women—her reclusive neighbor, Angela Bari, has just been stabbed to death. With shock and shame, Michela realizes she hardly knew Angela, whose name she has to find out from the doorkeeper. Was she an heiress, a model, an aspiring actress, or (as a prostitute hesitantly informs her) a high-class working girl? And was she killed by her breathlessly self-involved lover, her envious sister, or the alleged pimp who's been hanging around her apartment? Or is the culprit (as a consultant at the radio station suggests) the ingrained misogyny of a violent male society, or perhaps the viciousness of human nature in general? Since Maraini (The Silent Duchess, etc., not reviewed) is a novelist of considerable ambitions, and since her estimable heroine, after all, is researching a story on unsolved mysteries, there's no guarantee that she'll ever come up with a solution to this one. The only certainty is that the skein of voices Michela captures in her tape-recorded interviews will go on echoing long after she's taken off the story. ``The fact that she has been so brutally torn apart suddenly seems like something that has been done to me,'' Michela reflects early on. Maraini shines in showing how Michela, in trying to capture a sense of her mysterious dead neighbor, is struggling to define herself as well.

Pub Date: May 1, 1997

ISBN: 1-85242-527-X

Page Count: 248

Publisher: Serpent’s Tail

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 1997

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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HORRORSTÖR

A treat for fans of The Evil Dead or Zombieland, complete with affordable solutions for better living.

A hardy band of big-box retail employees must dig down for their personal courage when ghosts begin stalking them through home furnishings.

You have to give it up for the wave of paranormal novels that have plagued the last decade in literature; at least they’ve made writers up their games when it comes to finding new settings in which to plot their scary moments. That’s the case with this clever little horror story from longtime pop-culture journalist Hendrix (Satan Loves You, 2012, etc.). Set inside a disturbingly familiar Scandinavian furniture superstore in Cleveland called Orsk, the book starts as a Palahniuk-tinged satire about the things we own—the novel is even wrapped in the form of a retail catalog complete with product illustrations. Our main protagonist is Amy, an aimless 24-year-old retail clerk. She and an elderly co-worker, Ruth Anne, are recruited by their anal-retentive boss, Basil (a closet geek), to investigate a series of strange breakages by walking the showroom floor overnight. They quickly uncover two other co-workers, Matt and Trinity, who have stayed in the store to film a reality show called Ghost Bomb in hopes of catching a spirit on tape. It’s cute and quite funny in a Scooby Doo kind of way until they run across Carl, a homeless squatter who's just trying to catch a break. Following an impromptu séance, Carl is possessed by an evil spirit and cuts his own throat. It turns out the Orsk store was built on the remains of a brutal prison called the Cuyahoga Panopticon, and its former warden, Josiah Worth, has returned from the dead to start up operations again. It sounds like an absurd setting for a haunted-house novel, but Hendrix makes it work to the story’s advantage, turning the psychological manipulations and scripted experiences that are inherent to the retail experience into a sinister fight for survival.

A treat for fans of The Evil Dead or Zombieland, complete with affordable solutions for better living.

Pub Date: Sept. 23, 2014

ISBN: 978-1-59474-526-3

Page Count: 240

Publisher: Quirk Books

Review Posted Online: July 22, 2014

Kirkus Reviews Issue: Sept. 1, 2014

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