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EMERGENCY

A PASTORAL NOVEL

A stunning book—a balm for our times—containing the incredible gift of the everyday.

A woman weathering quarantine isolation in her urban home reinhabits a childhood spent in the fields and woods of North Yorkshire.

This unusual novel of minute, lush observation opens on a spring day in the narrator’s distant childhood. Looking down into the quarry at the edge of her small village, the narrator sees a sheet of the clay wall drop away and expose the interior of a vole’s burrow to a kestrel floating on an air current high above the quarry’s flooded floor. As the narrator follows, the vole flees from its ruined home and out into the open, where it freezes in full view of the now interested kestrel, who tilts in her flight to hover above the creature, ready to drop. The narrator’s attention to the two animals—meticulous, alert, and mature—“draw[s] a direct line between them, like a lift between two floors of a building,” and she feels “a sense of love arise inside me, as huge and widespread as the vole was small and specific, and it occurred to me that I could rescue him.” This small emergency tilts the narrator into a spill of memories that flow from the intimate and particular character of the space and time she has inhabited—the fields, tamed forests, pastures, paddocks, and quiet, seemingly eternal springs of the North Yorkshire countryside. However, as the title suggests, this is not a novel of rugged, wild individualism but rather a pastoral in which the landscape reflects at every turn the imprint of the human world in its management, exploitation, or collaborative reimagining. As an unnamed, but familiar, pandemic rages through the city outside her window, the adult author of these childhood remembrances ponders the interconnectedness of all worlds, from the minute wisps of spiders’ webs that break as she passes to the line of ancient hollies planted to mark out a path for winter travelers in the century past to the bundle of wires that dangle exposed on the wall outside her window that form literal lines of connection between all the isolated boxes of her neighbors’ own pandemic-stunted lives. The world that is crafted in this novel is like our own world: filled with joys and sorrows, death and renewal, the sublime and the literal filth that turns to soil beneath our feet. Stunning in its intimacy and the precise quality of its recall, the book nevertheless manages to make its primary business the act of inclusion, bringing us into the sense of our separate lives as being “formed and renewed by many minds and mindless forces…the space itself degraded and vanished when these connections failed.”

A stunning book—a balm for our times—containing the incredible gift of the everyday.

Pub Date: Aug. 2, 2022

ISBN: 978-1-66260-147-7

Page Count: 224

Publisher: Astra House

Review Posted Online: June 7, 2022

Kirkus Reviews Issue: July 1, 2022

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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THE FAMILIAR

Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.

In 16th-century Madrid, a crypto-Jew with a talent for casting spells tries to steer clear of the Inquisition.

Luzia Cotado, a scullion and an orphan, has secrets to keep: “It was a game she and her mother had played, saying one thing and thinking another, the bits and pieces of Hebrew handed down like chipped plates.” Also handed down are “refranes”—proverbs—in “not quite Spanish, just as Luzia was not quite Spanish.” When Luzia sings the refranes, they take on power. “Aboltar cazal, aboltar mazal” (“A change of scene, a change of fortune”) can mend a torn gown or turn burnt bread into a perfect loaf; “Quien no risica, no rosica” (“Whoever doesn’t laugh, doesn’t bloom”) can summon a riot of foliage in the depths of winter. The Inquisition hangs over the story like Chekhov’s famous gun on the wall. When Luzia’s employer catches her using magic, the ambitions of both mistress and servant catapult her into fame and danger. A new, even more ambitious patron instructs his supernatural servant, Guillén Santángel, to train Luzia for a magical contest. Santángel, not Luzia, is the familiar of the title; he has been tricked into trading his freedom and luck to his master’s family in exchange for something he no longer craves but can’t give up. The novel comes up against an issue common in fantasy fiction: Why don’t the characters just use their magic to solve all their problems? Bardugo has clearly given it some thought, but her solutions aren’t quite convincing, especially toward the end of the book. These small faults would be harder to forgive if she weren’t such a beautiful writer. Part fairy tale, part political thriller, part romance, the novel unfolds like a winter tree bursting into unnatural bloom in response to one of Luzia’s refranes, as she and Santángel learn about power, trust, betrayal, and love.

Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.

Pub Date: April 9, 2024

ISBN: 9781250884251

Page Count: 400

Publisher: Flatiron Books

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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