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ALPHONSE, THERE'S MUD ON THE CEILING!

Imaginative play leads to inventive solutions in this sweet sibling tale.

Alphonse and Natalie, the lovable, active preschool monster siblings from Alphonse, That Is Not OK To Do! (2016) and I Do Not Like Books Anymore! (2018), are back with a way to enjoy nature and the outdoors from their seventh-floor apartment.

Playing indoors can be fun for the children if they use their imagination. They can drive their bunk bed, tumble in the hallway, and hide behind the big green chair and then leap out with a “Raaaar!” But when they play wiggly worms all over the small apartment and start to bump and upset things like Dad’s coffee, then: “NATALIEALPHONSE, that is not a good game for indoors!” The kids begin to bemoan the fact that, unlike their friend Elfrida, who has a backyard with a tent for sleeping, they have no backyard space, and so Natalie declares, “I’m going to live in the park.” Ever patient and supportive Dad agrees, and they all go out to “have an expedition.” After exploring and living under a bush for a while, they collect some sticks and head back to the apartment, with sticks to build a tent on the balcony. Bold, bright colors against white space depict the familiarly fiendish family’s third installment in a very familiar scenario, one that offers gentle guidance to caregivers as well as affirmation and inspiration to children.

Imaginative play leads to inventive solutions in this sweet sibling tale. (Picture book. 3-6)

Pub Date: May 5, 2020

ISBN: 978-1-5362-1117-7

Page Count: 32

Publisher: Candlewick

Review Posted Online: Feb. 8, 2020

Kirkus Reviews Issue: March 1, 2020

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PAPA DOESN'T DO ANYTHING!

A tale of intergenerational bonding to be shared by grandparents and grandchildren.

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In talk-show host Fallon and illustrator Ordóñez’s latest picture-book collaboration, an elderly pooch waxes rhapsodic about a life well lived.

Observing Papa sitting in his chair watching TV all day, a young pup says, “I’m starting to think…you don’t do ANYTHING.” So Papa proceeds to list his accomplishments, both big and small, mundane and profound. Some are just a result of being older and physically bigger (being tall enough to reach a high shelf and strong enough to open jars); others include winning a race and performing in a band when he was younger. Eventually, the pup realizes that while Papa may have slowed down in his old age, he’s led a full life. The most satisfying thing about Papa’s life now? Watching his grandchild take center stage: “I can say lots of thoughts / but I choose to be quiet. / I’d rather you discover things and then try it.” Fallon’s straightforward text is sweetly upbeat, though it occasionally lacks flow, forcing incongruous situations together to fit the rhyme scheme (“I cook and I mow, / and I once flew a plane. // I play newspaper puzzles because it’s good for my brain”). Featuring uncluttered, colorful backgrounds, Ordóñez’s child-friendly digital art at times takes on sepia tones, evoking the sense of looking back at old photos or memories. Though the creators tread familiar ground, the love between Papa and his little one is palpable.

A tale of intergenerational bonding to be shared by grandparents and grandchildren. (Picture book. 3-6)

Pub Date: May 13, 2025

ISBN: 9781250393975

Page Count: 40

Publisher: Feiwel & Friends

Review Posted Online: May 3, 2025

Kirkus Reviews Issue: June 1, 2025

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YOUR BABY'S FIRST WORD WILL BE DADA

Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 14, 2015

Kirkus Reviews Issue: May 1, 2015

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