Clothes maketh the monster, and these monsters make great characters.
A clutch of monsters gets dressed just like humans do, but with a kooky twist.
Brightly hued and not-at-all-scary monsters wake up in the morning and face the task of picking out clothes for the day. The monsters are named, and the clothes they don—from hats to overalls—vary from page to page. Some of the monsters try on nonclothing items, such as a tomato instead of a hat, which is just unexpected and silly enough to tickle a young reader’s funny bone. Bold and playful illustrations pair perfectly with the whimsical and mellow storyline. While the monsters aren’t gendered, one page features a sweet yellow monster named Darrel wearing a cheerful red-and-white polka-dot dress—a subtly inclusive detail. Hirst’s simultaneously published companion book, Monster Food, follows a similar cadence; this time, the monsters are eating surprising items alongside their typical foods. The new element of rhyming text keeps the story moving and enhances the monster fun in an amusing way. Relatable themes of getting dressed and enjoying a meal are made all the more engaging by an irresistible cast of friendly creatures and their hilarious missteps.
Clothes maketh the monster, and these monsters make great characters. (Board book. 0-3)Pub Date: July 1, 2021
ISBN: 978-1-5362-1528-1
Page Count: 18
Publisher: Candlewick
Review Posted Online: Dec. 2, 2021
Kirkus Reviews Issue: Dec. 15, 2021
All-in-good-fun Halloween scares.
In NSYNC singer Bass’ debut picture book, trick-or-treaters follow their fearless leader down Scary Street in search of sweets, or so they think.
On Halloween night, a mischievous child dressed as a wolf, reminiscent of Max from Maurice Sendak’s Where the Wild Things Are (1963), leads a large, racially diverse group of costumed children down Scary Street. The youngster, who narrates, proceeds to bring them to a series of creepy fun house–style homes, including a mansion belonging to a menacingly dapper vampire, who offers “toothy snacks” to the terrified-looking trick-or-treaters, and a gingerbread cottage inhabited by a Cruella de Vil–esque witch, who might prefer to bake little children into her house rather than give them treats. Uh-oh. Now there are only four children following the increasingly unreliable narrator, who ominously repeats, “No tricks allowed, just tasty treats.” As it turns out, the narrator does have a trick in store, which completes the scare and brings the story to a happy conclusion. Bass uses a simple, sometimes uneven rhyme pattern that ranges from interesting combinations (missed is rhymed with resist) to more familiar ones (treats/sweets) with a dash of tongue-in-cheek humor. Garrigue’s atmospheric illustrations have a Coney Island sideshow vibe, created with a candy palette that’s both invitingly tasty and garish in just the right way. The narrator, the vampire, and the witch are light-skinned.
All-in-good-fun Halloween scares. (Picture book. 4-8)Pub Date: July 23, 2024
ISBN: 9781454952176
Page Count: 40
Publisher: Union Square Kids
Review Posted Online: April 20, 2024
Kirkus Reviews Issue: May 15, 2024
An accessible entrance into the world of social-emotional skills.
What do you do when the world turns upside down?
Freckled redhead Tilda is a happy only child with a rollicking personality. With lots of books and toys and a multiracial group of friends, life is perfect as far as she’s concerned…until her world undergoes a troubling change (a subtle hint in the illustrations suggests that Tilda’s parents have divorced). Suddenly, nothing feels right, everything seems hard, and she doesn’t want to play with her friends. To reflect this emotional disorientation, the artwork shows Tilda in spatially distorted settings, complete with upside-down objects. It’s not until she sees an upturned ladybug struggle persistently before getting back on its feet (despite Tilda’s desire to help, the ladybug needs to help itself) that Tilda gains the courage to start taking baby steps in order to cope with her new reality. There are still challenges, and she needs to persevere, but eventually, she regains her zest for life and reconnects with her friends. Despite this, the ending avoids an easy happily-ever-after, which feels just right for the subject matter. Though a trifle didactic, the story sends an important message about the roles of self-efficacy and persistence when it comes to overcoming challenges and building resilience. Percival’s digital illustrations use transitions from grayscale to color to create symbolic meaning and have psychological depth, deftly capturing a child’s experience of trauma.
An accessible entrance into the world of social-emotional skills. (author's note) (Picture book. 3-6)Pub Date: March 1, 2022
ISBN: 978-1-5476-0822-5
Page Count: 32
Publisher: Bloomsbury
Review Posted Online: Dec. 26, 2021
Kirkus Reviews Issue: Jan. 15, 2022
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