Milo grapples with jealousy when a newcomer arrives.
Milo and his best friend, Jay, live next door to each other and are inseparable. But when Suzi moves in across the street, everything changes. Jay and Suzi are always laughing (loudly) together or playing, and Milo feels left out. The “squirmy feeling” inside him suddenly grows into a monster. Not only “a green-eyed monster,” but a bright green spiky splotch that radiates frustration with vectors and stars shooting out. The monster sticks with Milo, validating his anxieties (“IT’S NOT FAIR!” “Jay is YOUR friend, not Suzi’s!”) and encouraging irrational thoughts (“the monster hissed that they were having more fun without him”). Milo’s eyebrows furrow, and his hands clench; he’s the picture of anger and dejection. All of the color drains from his surroundings, the green of the monster popping against the gray setting. Luckily, Suzi breaks the monster’s hold by asking questions, highlighting the importance of communication. Percival’s over-the-top visuals will resonate with young readers, many of whom have likely been in Milo’s shoes and will appreciate seeing someone else conquer their green-eyed monster. Coping methods for when friendships feel a bit “wobbly” are appended in a letter from the author. Milo has slightly tanned skin, while Jay is brown-skinned, and Suzi is pale-skinned with bright red hair. (This book was reviewed digitally.)
Sure to help young readers recognize—and reconcile with—their own green-eyed monsters. (Picture book. 4-7)Pub Date: Feb. 7, 2023
ISBN: 978-1-5476-1097-6
Page Count: 32
Publisher: Bloomsbury
Review Posted Online: Oct. 26, 2022
Kirkus Reviews Issue: Nov. 15, 2022
Categories: CHILDREN'S SOCIAL THEMES
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Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 4, 2016
Kirkus Reviews Issue: June 1, 2016
Categories: CHILDREN'S CONCEPTS | CHILDREN'S SOCIAL THEMES
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With such short arms, how can Tiny T. Rex give a sad friend a hug?
Fleck goes for cute in the simple, minimally detailed illustrations, drawing the diminutive theropod with a chubby turquoise body and little nubs for limbs under a massive, squared-off head. Impelled by the sight of stegosaurian buddy Pointy looking glum, little Tiny sets out to attempt the seemingly impossible, a comforting hug. Having made the rounds seeking advice—the dino’s pea-green dad recommends math; purple, New Age aunt offers cucumber juice (“That is disgusting”); red mom tells him that it’s OK not to be able to hug (“You are tiny, but your heart is big!”), and blue and yellow older sibs suggest practice—Tiny takes up the last as the most immediately useful notion. Unfortunately, the “tree” the little reptile tries to hug turns out to be a pterodactyl’s leg. “Now I am falling,” Tiny notes in the consistently self-referential narrative. “I should not have let go.” Fortunately, Tiny lands on Pointy’s head, and the proclamation that though Rexes’ hugs may be tiny, “I will do my very best because you are my very best friend” proves just the mood-lightening ticket. “Thank you, Tiny. That was the biggest hug ever.” Young audiences always find the “clueless grown-ups” trope a knee-slapper, the overall tone never turns preachy, and Tiny’s instinctive kindness definitely puts him at (gentle) odds with the dinky dino star of Bob Shea’s Dinosaur Vs. series.
Wins for compassion and for the refusal to let physical limitations hold one back. (Picture book. 5-7)Pub Date: March 5, 2019
ISBN: 978-1-4521-7033-6
Page Count: 48
Publisher: Chronicle Books
Review Posted Online: Nov. 12, 2018
Kirkus Reviews Issue: Dec. 1, 2018
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