A taut tale that chillingly intertwines psychological and supernatural suspense.
A fledgling British psychologist tries to unravel a teen’s mysterious affliction in a Cornwall community gripped by the occult.
Six years after the death of her brother, Eddie, Mina Ellis is still haunted by memories that have been mercifully ameliorated by her attendance at a bereavement support group. There she meets empathetic journalist Sam Hunter, who hires her to do background research on a story he’s covering for the Western Herald. Though she’s professionally inexperienced, Mina has recently gotten her degree in psychology. Since she’s also feeling secretly uncertain about her upcoming marriage to the brusque Oscar, the assignment, which sends her to the bucolic parish of Banathel, provides a welcome getaway. The subject is Alice Webber, a bedridden teenager who believes she’s possessed by a witch. Parents Lisa and Paul are warmly supportive, but siblings Tamsin and Billy are frustrated and skeptical. The womblike aura of the household makes Mina homesick. Her arrival disturbs the parish, which has a long history of sorcery-related tragedy (think The Wicker Man), and a clutch of citizens visits the Webbers to demand that she leave. Shortly after Mina becomes convinced that Alice’s malady is psychological, the arrival of Alice’s nemesis, Vicky Matherson, triggers a horrific incident that shocks everyone. Pearce’s first-person narrative compellingly captures Mina’s mental fragility, the swirling anxiety simmering beneath even her most mundane human interactions and intensified by the heatwave that’s gripping Britain, marked by brown grass that’s a metaphor for her dark psyche. Can Mina trust her own analyses?
A taut tale that chillingly intertwines psychological and supernatural suspense.Pub Date: Feb. 25, 2025
ISBN: 9781250334381
Page Count: 304
Publisher: Minotaur
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
The best news of all: The climax leaves the door open to further reports from the hilariously misnamed British Intelligence.
A series of mounting complications leads to yet another fight to the death between the discarded intelligence agents of Slough House and the morally bankrupt head of MI5.
As Jackson Lamb’s motley crew on Aldersgate Street struggles to cope with the deaths of River Cartwright’s grandfather and mentor, intelligence veteran David Cartwright, and their dim, beloved colleague Min Harper, new troubles are brewing. Diana Taverner, who runs the British Intelligence Service from Regent’s Park, is being blackmailed by former MP Peter Judd to do his bidding. Nothing untoward about that, of course, but this time, Judd’s demands, backed by a compromising tape recording, are more pressing than usual. So Diana reconvenes the Brains Trust—Al Hawke, Avril Potts, Daisy Wessex, and their ex-boss Charles Cornell Stamoran—whose last assignment was to serve as the contact for psychopathic IRA informant Dougie Malone while turning a blind eye to his multiple rapes and murders, which were really none of the Crown’s business. Taverner’s new assignment for the Brains Trust is the assassination of Judd. Since all these developments are filtered through the riotously cynical lens of Herron’s imagination, nothing goes as planned, and when the smoke clears, the fatalities don’t include Judd. Now that Judd knows he has as much reason to fear Taverner as she does to fear him, Lamb offers to broker a peace meeting between them which Slough House computer geek Roddy Ho will keep secret by knocking out 37 security cameras around Taverner’s dwelling. What could possibly go wrong?
The best news of all: The climax leaves the door open to further reports from the hilariously misnamed British Intelligence.Pub Date: Sept. 9, 2025
ISBN: 9781641297264
Page Count: 352
Publisher: Soho Crime
Review Posted Online: May 30, 2025
Kirkus Reviews Issue: July 1, 2025
PROFILES
PERSPECTIVES
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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