A deft balance of pathos and humor.
A troubled teenager travels back to the medieval era in Flint’s YA fantasy novel.
Seventeen-and-a-half-year-old Alex thinks she’s seen every variety of foster mom. Her latest one, Monica, seems to be the overly earnest and anxious type. Alex has always been an urbanite, residing in San Francisco and other cities, so living in rural Jefferson, California, with Monica is an adjustment. (There is dial-up internet, and many cows.) In drama class at her new high school, Alex meets Ryan when they kiss as part of a play rehearsal. After skipping school together and getting into trouble with police, Ryan proposes that they flee to Los Angeles. Torn between well-meaning Monica and persuasive Ryan, Alex is just about to call Ryan when lightning strikes, followed by darkness. Alex awakens in an alternate world resembling a Renaissance fair. She’s now in London, and worse, it’s no longer the year 2013, but 1613. Mistaken for a missing actor who’s supposed to play Juliet in a performance for the King of England, Alex is forced to conceal her gender (only men could act) while searching for the real actor and trying to somehow get back to her own time. Flint breathes new life into the tired concept of time travel. The characters are uniformly engaging, from the leads to the minor players. Damaged Alex (her biological mother overdosed) never loses her sense of humor, whether getting peed on by a “Decidedly Well-Hydrated Cow” or tipping over in bottom-heavy clothing during the medieval era. A large cast, including a lisping oarsman, a prisoner named Moll Cutpurse, and a pimply, sarcastic drama classmate, also add dashes of flavor. London in 1613 is vividly described, with “dusty children” watching a sadistic marionette show, fleas, stockades, stalls selling produce, and live chickens. The depiction of small-town life in 2013 Jefferson—a place with “fallow fields and ancient tractors,” Western wear stores, a Super Kmart, and bowling alley—also rings true. Flint keeps the story moving briskly, and it’s so much fun that the improbable aspects shrink to insignificance.
A deft balance of pathos and humor.Pub Date: May 1, 2025
ISBN: 9781947536203
Page Count: 319
Publisher: Turtle Cove Press
Review Posted Online: March 21, 2025
Review Program: Kirkus Indie
A sweet if muddled tale of the magic of Appalachia.
A teenage witch goes up against the evil king of the mountain to save a cursed village.
Witch-in-training Verity Vox has spent a year apiece in different villages, helping in any way she can as she learns her art. When it’s time to move on, she receives a sign that shows her where to go next. When the latest sign appears in the form of a note begging for help that floats down on a leaf, she’s eager for the challenge. Verity winds up in Foxfire, a village in the Appalachian mountains that’s been magically cut off from the rest of the world for years, leaving its people close to starvation. The root of their suffering is a man they know as Earl, who lives in the hills and strikes deals with the townspeople that ultimately cause crops to wither, folks to disappear, and the only bridge out of the valley to crumble. Verity is determined to change the villagers’ fortunes, but to do so she’ll have to face off against not just Earl but the ancient power of the mountains itself. Loosely based on the Germanic Erlking legend and told in a voice reminiscent of folktales, the story features a queer romance and a cast that presents white. The convoluted magic system undercuts the strong themes of reciprocity, poverty, and privilege, but Appalachian readers will instantly recognize home.
A sweet if muddled tale of the magic of Appalachia. (Fantasy. 13-18)Pub Date: Aug. 5, 2025
ISBN: 9798890032706
Page Count: 336
Publisher: Page Street
Review Posted Online: May 30, 2025
Kirkus Reviews Issue: July 1, 2025
SEEN & HEARD
In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and...
A deliciously creepy page-turning gem from first-time writer and illustrator Brosgol finds brooding teenager Anya trying to escape the past—both her own and the ghost haunting her.
Anya feels out of place at her preppy private school; embarrassed by her Russian heritage, she has worked hard to lose her accent and to look more like everyone else. After a particularly frustrating morning at the bus stop, Anya storms off, only to accidentally fall down a well. Down in the dark hole, she meets Emily, a ghost who claims to be a murder victim trapped down in the dank abyss for 90 years. With Emily’s help, Anya manages to escape, though once free, she learns that Emily has traveled out with her. At first, Emily seems like the perfect friend; however, once her motives become clear, Anya learns that “perfect” may only be an illusion. A moodily atmospheric spectrum of grays washes over the clean, tidy panels, setting a distinct stage before the first words appear. Brosgol’s tight storytelling invokes the chilling feeling of Neil Gaiman’s Coraline (2002), though for a decidedly older set.
In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and outward appearance. (Graphic supernatural fiction. 12 & up)Pub Date: June 7, 2011
ISBN: 978-1-59643-552-0
Page Count: 224
Publisher: First Second
Review Posted Online: April 18, 2011
Kirkus Reviews Issue: May 1, 2011
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