Washed back nearly five-and-a-half centuries by a sudden tsunami in the usually placid Ocean of Time, pre-teen siblings Susan and Charles, first introduced in Drift House (2005), tackle a space/time storm (confusingly mislabeled a “time jetty”) that is leaving a trail of destruction stretching from the Twin Towers through Pompeii and Atlantis to ancient Babylon. Once again lacing his tale with inscrutable elements—including at least one (possibly more) strong-willed magical volume(s) and at least one (ditto) other-than-human time “Returner” who single-handedly fills out the cast with multiple appearances in various guises—Peck plunges the separated Susan and Charles into contrived encounters with Pre-Columbian residents of Greenland and North America, and then on to twin cataclysmic climaxes over modern Manhattan (for Susan) and beneath the Tower of Babel (for Charles), before a final happy reunion aboard their ship-like Quebec mansion. Floating thinly atop its opaque, anthropocentric metaphor (“The jetty is a manifestation of the eternal human desire to cheat time, to get to the end without going through the middle,” explains the Returner, with typical clarity), the sequel is as likely as its predecessor to leave readers at sea. (Fantasy. 11-13)

Pub Date: March 1, 2007

ISBN: 1-58234-859-6

Page Count: 400

Publisher: Bloomsbury

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2007

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Paulsen recalls personal experiences that he incorporated into Hatchet (1987) and its three sequels, from savage attacks by moose and mosquitoes to watching helplessly as a heart-attack victim dies. As usual, his real adventures are every bit as vivid and hair-raising as those in his fiction, and he relates them with relish—discoursing on “The Fine Art of Wilderness Nutrition,” for instance: “Something that you would never consider eating, something completely repulsive and ugly and disgusting, something so gross it would make you vomit just looking at it, becomes absolutely delicious if you’re starving.” Specific examples follow, to prove that he knows whereof he writes. The author adds incidents from his Iditarod races, describes how he made, then learned to hunt with, bow and arrow, then closes with methods of cooking outdoors sans pots or pans. It’s a patchwork, but an entertaining one, and as likely to win him new fans as to answer questions from his old ones. (Autobiography. 10-13)

Pub Date: Feb. 1, 2001

ISBN: 0-385-32650-5

Page Count: 150

Publisher: Delacorte

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 2000

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Witty repartee between the central characters, as well as the occasional well-done set piece, isn’t enough to hold this hefty debut together. Teenagers Seth and Kendra are dropped off by traveling parents at their grandfather’s isolated Connecticut estate, and soon discover why he’s so reluctant to have them—the place is a secret haven for magical creatures, both benign and decidedly otherwise. Those others are held in check by a complicated, unwritten and conveniently malleable Compact that is broken on Midsummer Eve, leaving everyone except Kendra captive in a hidden underground chamber with a newly released demon. Mull’s repeated use of the same device to prod the plot along comes off as more labored than comic: Over and over an adult issues a stern but vague warning; Seth ignores it; does some mischief and is sorry afterward. Sometimes Kendra joins in trying to head off her uncommonly dense brother. She comes into her own at the rousing climax, but that takes a long time to arrive; stick with Michael Buckley’s “Sisters Grimm” tales, which carry a similar premise in more amazing and amusing directions. (Fantasy. 11-13)

Pub Date: Aug. 1, 2006

ISBN: 1-59038-581-0

Page Count: 368

Publisher: Shadow Mountain

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 2006

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