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COUNTRY OF ORIGIN

Interesting for what it says about youth and romance entangling with mental illness.

An upper-class Egyptian teenager pursues romance and personal freedom following the 1952 uprising.

Halah Ibrahim is 14 when Cairo goes up in flames. She watches it burn from the relative safety of her family’s lavish home, guarded by the privilege of her father’s military connections. As the family cook says, “The rich are always protected.” Halah’s schooling ends with the revolution and her parents’ attempt to arrange her marriage to a much older man. Halah rebels, sneaking off in the night to marry Khalil, one of her father’s military acquaintances, whom she barely knows. They travel to New York, where he’ll attend medical school. “I had been so blasé about money my whole life,” Halah says, not realizing the gravity of what she’s done or the harshness of the existence that awaits her until she and Khalil try to forge a life together in Queens. They have a daughter, Amena, and Halah falls into patterns of negative, obsessive thought. Early descriptions of Halah’s behavior seem like wild teenage defiance, but this is reframed after Halah goes missing in 1967 and other characters—Khalil, college-age Amena, and Khalil’s imprisoned brother, Hassan—begin to tell their sides of her story from various points in the future. Halah “hadn’t been in her right mind before she vanished,” and as the other characters try to piece together what happened, her earlier obsessions and actions seem less like immaturity. As they reckon with Halah’s disappearance, the other three characters’ stories reach out into diverse futures where they each come to terms with Halah’s influence and their connections to their Egyptian past.

Interesting for what it says about youth and romance entangling with mental illness.

Pub Date: April 12, 2022

ISBN: 978-1-64-605152-6

Page Count: 320

Publisher: A Strange Object

Review Posted Online: Jan. 11, 2022

Kirkus Reviews Issue: Feb. 1, 2022

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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  • IndieBound Bestseller

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THE THURSDAY MURDER CLUB

From the Thursday Murder Club series , Vol. 1

A top-class cozy infused with dry wit and charming characters who draw you in and leave you wanting more, please.

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Four residents of Coopers Chase, a British retirement village, compete with the police to solve a murder in this debut novel.

The Thursday Murder Club started out with a group of septuagenarians working on old murder cases culled from the files of club founder Elizabeth Best’s friend Penny Gray, a former police officer who's now comatose in the village's nursing home. Elizabeth used to have an unspecified job, possibly as a spy, that has left her with a large network of helpful sources. Joyce Meadowcroft is a former nurse who chronicles their deeds. Psychiatrist Ibrahim Arif and well-known political firebrand Ron Ritchie complete the group. They charm Police Constable Donna De Freitas, who, visiting to give a talk on safety at Coopers Chase, finds the residents sharp as tacks. Built with drug money on the grounds of a convent, Coopers Chase is a high-end development conceived by loathsome Ian Ventham and maintained by dangerous crook Tony Curran, who’s about to be fired and replaced with wary but willing Bogdan Jankowski. Ventham has big plans for the future—as soon as he’s removed the nuns' bodies from the cemetery. When Curran is murdered, DCI Chris Hudson gets the case, but Elizabeth uses her influence to get the ambitious De Freitas included, giving the Thursday Club a police source. What follows is a fascinating primer in detection as British TV personality Osman allows the members to use their diverse skills to solve a series of interconnected crimes.

A top-class cozy infused with dry wit and charming characters who draw you in and leave you wanting more, please.

Pub Date: Sept. 22, 2020

ISBN: 978-1-98-488096-3

Page Count: 368

Publisher: Pamela Dorman/Viking

Review Posted Online: June 30, 2020

Kirkus Reviews Issue: July 15, 2020

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