by Dan B. Miller ‧ RELEASE DATE: Jan. 17, 1995
An engaging, if unchallenging, account of an author whose route into—and out of—literary celebrity makes him seem, for better and worse, a man of his time. From the first short stories Caldwell (190387) struggled to get into print, his works drew on the observations he made of poverty in the rural South and the lessons in social consciousness he received from his father, a preacher. Caldwell's first wife, Helen, and their children shared his life of grinding poverty while enduring his volatile temperament. He honed his craft, helped by Helen's editing, but even his best-known work, Tobacco Road, generated poor initial sales—in Miller's estimation because the publisher, Scribner's, marketed the sexually explicit book so timidly. When playwright Jack Kirkland turned Tobacco Road into ``the bawdiest Broadway hit in history,'' Caldwell gained a solid income and practice at arguing for artistic freedom as local officials across the nation tried to close down touring-company productions. As he adapted to a more luxurious life, he also found himself a more glamorous wife: photographer Margaret Bourke-White, with whom he collaborated on studies of southern sharecropping and of Russia during the German invasion—an arrangement that collapsed as Caldwell learned he came second to her art just as Helen and the children had come second to his. Miller (who has a Ph.D. in History of American Civilization from Harvard) tends to avoid probing such fissures in his subject's actions and writings, particularly during Caldwell's decline from celebrity, finally giving this account the feel of a life observed with only intermittent intensity. For example, when discussing Caldwell's mid-1950s output—stories for ``mediocre (often X-rated) journals'' and a ``melodramatic, mildly pornographic'' novel whose sales were enhanced by its spicy cover—he concludes without a trace of irony that Caldwell was ``earning a living from his craft.'' Miller reveals, but never really explores, the complexities and inconsistencies of a man who wrote both first-rate fiction and disposable prose.
Pub Date: Jan. 17, 1995
ISBN: 0-679-42931-X
Page Count: 448
Publisher: Knopf
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Nov. 15, 1994
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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More by E.T.A. Hoffmann
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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