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THE LAST RESORT

More pratfalls, pounces, and gaseous protestations emanating from Brulagh, that Irish village of cheerful chicanery, profanity, and strong drink first celebrated hilariously in The Neon Madonna (1992). Now, among some familiar citizens, comes a wealthy young American of a shady banking-family who plans a major taking of the town in the form of a mammoth resort project. It'll all end in a tie—to the satisfaction of everyone. The auld gang from Neon Madonna are present again: expansive manipulator Mick Flannery, who now has the lucrative post of EC representative; Johnny Slattery, aided by dangerous Long John McCarthy, who's still making poteen down where the Little Folk dwell; and Fr. Jerry, who's in the best of health, though his Alpha Romeo, which he'd driven from Rome, where he was a soldier in Vatican politics, has ``committed suicide.'' Featured in this second chronicle is the beautiful, jaunty, loudmouthed Lady Alpha, sole offspring of the poverty-stricken, fox-hunting Eleventh Earl of Gallerick, who, for any money at all, must depend on Aunt Daphne (the Daft). Into Brulagh comes Luke Divareli, in his doomed Porsche, with a plan to make a killing with an improved golf course, hotels, cottages, the works. With the help of Abe, a Bronx- tongued toad—a veteran of smasher development investment—Luke pushes his plans while falling in love with Alpha. But there'll be a price as Luke weathers: a fixed horse-race, a hunt atop a mad mare (supplied by the man he'd thrown downstairs), a hurling pitch, and other local gaieties. Eventually, though, Luke is absorbed into Brulagh like a stray nut in a rummy pudding. Not as tight as Neon Madonna—too many plot threads, perhaps- -but funny indeed, with Dave Barry-like touches (a geezer's flat hat ``looked as if it could only be removed under a heavy anesthetic'') and endemically bloodshot dialogue.

Pub Date: March 22, 1993

ISBN: 0-312-08834-5

Page Count: 272

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 1993

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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