An uneven love story with intriguing historical details.
A man contemplates his marriage, family, and life in this contemporary romance with philosophical themes.
Philosophy Ph.D. candidate Brendan Ryan fulfills his dream of a Thoreau-like existence in Maine when he escapes Boston and his unhappy wife for a cabin in Caribou, where he embarks on “his personal search for truth, his search for the meaning of existence.” He plans to spend the summer reading and rekindling a relationship with his son, Corey. The two are having a good time, but a conflict arises when Brendan is reunited with a French-accented beauty, Cosette Fontaine, at the local diner. They met when he passed through Maine while purchasing the cabin. Named after the tragic character in Victor Hugo’s Les Misérables as a tribute to her Acadian heritage, the alluring waitress stands out in the small town. Brendan is immediately attracted to her open nature, so unlike his pinched and constantly complaining wife. He and Cosette engage in a light affair in spite of his marriage that quickly accelerates into love. Brendan is soon musing that “maybe my search for truth is over, my dear sweet angel—I may have found it right here with you.” But the unanswered questions involving his wife and marriage and whether he will return to Boston in the fall remain. At its heart, Carroll’s (Slum Fever, 2015, etc.) ambitious novel is more about Acadian history in Maine than a summer romance or philosophical journey. He delivers plenty of rich, vivid period details, including about the Ku Klux Klan’s role in the 1920s (“Prejudice against French-speaking Americans, especially Acadian French-speaking, began when the Klan came in”). But the story is populated by stock characters: the downtrodden husband, the fat harridan of a wife, the enchanting waitress, and the folksy, proverb-spouting handyman. Readers will struggle to identify with serial adulterer Brendan, who recalls his affairs with two sexy undergraduates. And Cosette seems bipolar, one minute playing coy, the next cursing about a rude waitress (“It’s really time for her to fucking croak!”).
An uneven love story with intriguing historical details.Pub Date: Jan. 30, 2018
ISBN: N/A
Page Count: 281
Publisher: Vanity Press Books
Review Posted Online: May 25, 2018
Review Program: Kirkus Indie
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the...
Brown presents the second installment of his epic science-fiction trilogy, and like the first (Red Rising, 2014), it’s chock-full of interpersonal tension, class conflict and violence.
The opening reintroduces us to Darrow au Andromedus, whose wife, Eo, was killed in the first volume. Also known as the Reaper, Darrow is a lancer in the House of Augustus and is still looking for revenge on the Golds, who are both in control and in the ascendant. The novel opens with a galactic war game, seemingly a simulation, but Darrow’s opponent, Karnus au Bellona, makes it very real when he rams Darrow’s ship and causes a large number of fatalities. In the main narrative thread, Darrow has infiltrated the Golds and continues to seek ways to subvert their oppressive and dominant culture. The world Brown creates here is both dense and densely populated, with a curious amalgam of the classical, the medieval and the futuristic. Characters with names like Cassius, Pliny, Theodora and Nero coexist—sometimes uneasily—with Daxo, Kavax and Sevro. And the characters inhabit a world with a vaguely medieval social hierarchy yet containing futuristic technology such as gravBoots. Amid the chronological murkiness, one thing is clear—Darrow is an assertive hero claiming as a birthright his obligation to fight against oppression: "For seven hundred years we have been enslaved….We have been kept in darkness. But there will come a day when we walk in the light." Stirring—and archetypal—stuff.
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the future and quasi-historicism.Pub Date: Jan. 6, 2015
ISBN: 978-0-345-53981-6
Page Count: 448
Publisher: Del Rey/Ballantine
Review Posted Online: Oct. 22, 2014
Kirkus Reviews Issue: Nov. 1, 2014
A novel of horrific beauty, where death is the only truth.
Even within the author’s extraordinary body of work, this stands as a radical achievement, a novel that demands to be read and reread.
McCarthy (No Country for Old Men, 2005, etc.) pushes his thematic obsessions to their extremes in a parable that reads like Night of the Living Dead as rewritten by Samuel Beckett. Where much of McCarthy’s fiction has been set in the recent past of the South and West, here he conjures a nightmare of an indeterminate future. A great fire has left the country covered in layers of ash and littered with incinerated corpses. Foraging through the wasteland are a father and son, neither named (though the son calls the father “Papa”). The father dimly remembers the world as it was and occasionally dreams of it. The son was born on the cusp of whatever has happened—apocalypse? holocaust?—and has never known anything else. His mother committed suicide rather than face the unspeakable horror. As they scavenge for survival, they consider themselves the “good guys,” carriers of the fire, while most of the few remaining survivors are “bad guys,” cannibals who eat babies. In order to live, they must keep moving amid this shadowy landscape, in which ashes have all but obliterated the sun. In their encounters along their pilgrimage to the coast, where things might not be better but where they can go no further, the boy emerges as the novel’s moral conscience. The relationship between father and son has a sweetness that represents all that’s good in a universe where conventional notions of good and evil have been extinguished. Amid the bleakness of survival—through which those who wish they’d never been born struggle to persevere—there are glimmers of comedy in an encounter with an old man who plays the philosophical role of the Shakespearean fool. Though the sentences of McCarthy’s recent work are shorter and simpler than they once were, his prose combines the cadence of prophecy with the indelible images of poetry.
A novel of horrific beauty, where death is the only truth.Pub Date: Oct. 2, 2006
ISBN: 0-307-26543-9
Page Count: 288
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2006
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