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SLEEPWALK

All the ingredients of a dark speculative tale imperfectly assembled.

A mercenary’s life is upended by the appearance of his (perhaps) daughter and a series of attendant problems.

The narrator of Chaon’s disappointing fourth novel is a 50-year-old fixer/courier hired to perform “petty acts of industrial espionage or [mess] with the results of a local school board election.” (The near-future U.S. is mostly offscreen, but pandemics, recessions, and blockades led by hair-trigger private militias are disruptive enough to necessitate such independent contractors.) Billy (one of his many aliases) is interrupted on the road by repeated calls from Cammie, a young woman claiming not only that she’s his daughter via a sperm donation made in his youth, but that he has many more offspring besides. Billy is troubled not just by the news, but by the breach of security that allowed Cammie to reach him, and plenty more paranoia ensues. Is Cammie an agent of somebody he’s fallen afoul of or a bot? Flashbacks to Billy’s past explain his various reasons for anxiety, from his mother on down, and Chaon gives his lead an appealingly noirish, skeptical voice. In his earlier fiction, Chaon demonstrated a talent for conjuring dark moods and characters with fractured families, so a dystopian tale that reshuffles traditional stories about midlife crises and long-lost children would seem a fine fit for him. But this novel never quite finds its footing, shifting from backstory to an increasingly convoluted assortment of cult types and mercenaries; it doesn’t help that the central relationship between Billy and Cammie is conducted via phone, which brings a chilly distance to the narrative. The technology Chaon imagines is diverting—large, menacing, farm-protecting robots, suspiciously adorable surveillance drones—but the most tender relationship is a B-plot involving Billy and his dog, whose travails are sometimes more interesting than the humans'.

All the ingredients of a dark speculative tale imperfectly assembled.

Pub Date: May 24, 2022

ISBN: 978-1-250-17521-2

Page Count: 320

Publisher: Henry Holt

Review Posted Online: March 1, 2022

Kirkus Reviews Issue: March 15, 2022

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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PEOPLE WE MEET ON VACATION

A warm and winning "When Harry Met Sally…" update that hits all the perfect notes.

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A travel writer has one last shot at reconnecting with the best friend she just might be in love with.

Poppy and Alex couldn't be more different. She loves wearing bright colors while he prefers khakis and a T-shirt. She likes just about everything while he’s a bit more discerning. And yet, their opposites-attract friendship works because they love each other…in a totally platonic way. Probably. Even though they have their own separate lives (Poppy lives in New York City and is a travel writer with a popular Instagram account; Alex is a high school teacher in their tiny Ohio hometown), they still manage to get together each summer for one fabulous vacation. They grow closer every year, but Poppy doesn’t let herself linger on her feelings for Alex—she doesn’t want to ruin their friendship or the way she can be fully herself with him. They continue to date other people, even bringing their serious partners on their summer vacations…but then, after a falling-out, they stop speaking. When Poppy finds herself facing a serious bout of ennui, unhappy with her glamorous job and the life she’s been dreaming of forever, she thinks back to the last time she was truly happy: her last vacation with Alex. And so, though they haven’t spoken in two years, she asks him to take another vacation with her. She’s determined to bridge the gap that’s formed between them and become best friends again, but to do that, she’ll have to be honest with Alex—and herself—about her true feelings. In chapters that jump around in time, Henry shows readers the progression (and dissolution) of Poppy and Alex’s friendship. Their slow-burn love story hits on beloved romance tropes (such as there unexpectedly being only one bed on the reconciliation trip Poppy plans) while still feeling entirely fresh. Henry’s biggest strength is in the sparkling, often laugh-out-loud-funny dialogue, particularly the banter-filled conversations between Poppy and Alex. But there’s depth to the story, too—Poppy’s feeling of dissatisfaction with a life that should be making her happy as well as her unresolved feelings toward the difficult parts of her childhood make her a sympathetic and relatable character. The end result is a story that pays homage to classic romantic comedies while having a point of view all its own.

A warm and winning "When Harry Met Sally…" update that hits all the perfect notes.

Pub Date: May 11, 2021

ISBN: 978-1-9848-0675-8

Page Count: 384

Publisher: Berkley

Review Posted Online: March 2, 2021

Kirkus Reviews Issue: March 15, 2021

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