An absorbing kidnapping tale inspired by true life and steeped in bleakness.
In this thriller, the shady past of a New Zealand journalist-turned–aspiring-novelist provokes his young daughter’s abduction.
Someone is watching writer Will McCormick on his property, where he lives with his wife, Maddy, and their two daughters. He subsequently receives two messages, both likely scrawled in blood: “LIAR” on a scrap of paper tied to a fence post and “AN EYE FOR AN EYE” on a mirror in his house. He knows these are threats stemming from his past. Years ago, in 2000, Will was a war correspondent in Cambodia. That’s where he met Bill Bradley, who ultimately convinced Will to become a CIA asset, with Bill as his handler. This proved beneficial to Will’s journalism career, but it was his Pulitzer Prize–winning story that changed everything. Events in his article didn’t happen quite the way he reported them, which may have amped up two countries’ serious conflict. In 2016 Queenstown, those two threats that Will discovers become all too real when someone kidnaps his oldest child, 5-year-old Lizzy. The abductors seem to be out for revenge, wanting Will to confess his apparent lies. As he’s hesitant to relay his dreadful history to the local authorities, Will goes out on his own to rescue Lizzy and stumbles on a few shocking—and unwelcome—truths. Eaton heavily ties his fictional story to real-world events, most notably 9/11. He manages this shrewdly and respectfully: Will is essentially an outsider, feeling sympathy for the victims of the 9/11 tragedy and witnessing firsthand America’s aggressive response. The book is understandably grim, as Will’s relentless guilt largely propels his first-person narrative. He also has his faults, including that he’s been unfaithful to Maddy. The story is swift and taut even as it details vibrant surroundings, such as Paris’ charcoal-colored, red- and gold-streaked sky. By the final act, Will has a revelation or two that some readers will predict, but the coda is one that reverberates.
An absorbing kidnapping tale inspired by true life and steeped in bleakness. (acknowledgements)Pub Date: Aug. 1, 2020
ISBN: 978-1-08-213466-1
Page Count: 344
Publisher: Self
Review Posted Online: April 28, 2020
Review Program: Kirkus Indie
Trust no one in this over-the-top tale of deception and revenge.
Dead bodies turn up in the first sentence of the prologue in McFadden’s latest domestic thriller.
The mystery of who died is at the pulsating heart of this propulsive tale. As Chapter 1 begins, Naomi arrives home to find the locks changed on the front door of the gorgeous home she shares with her husband, Jeremy, and their 5-year-old son, Teddy. Jeremy steps out the front door and convinces Naomi to move out while he has their home renovated, a plan Naomi knows nothing about. It’s all a ruse, though, as the next day Jeremy tells her he wants a divorce. Naomi is shellshocked and soon discovers that Jeremy is having an affair with Veronica, a beautiful younger woman. What seems at first like a stereotypical story about a man who leaves his wife turns into something else when Naomi decides she’ll do anything to get Veronica away from Jeremy and Teddy, and Veronica decides to fight for what she thinks she deserves. Fans of stalker novels will cringe with delight as creepy things start to happen. Teddy’s stuffed elephant, a gift from Veronica, is found impaled on a kitchen knife; Naomi suspects Jeremy is gaslighting her and that Veronica tried to poison her. A weird confrontation among Jeremy, Veronica, and Naomi at Teddy’s birthday party, to which Naomi shows up uninvited, is priceless. There are three main characters, and any or all of them may be unreliable narrators. Packing the plot with dark, gasp-inducing twists, McFadden outdoes herself in a story about how highly emotional people engage in risky behavior to get what they want—but in this novel, for better or worse, not everyone will survive.
Trust no one in this over-the-top tale of deception and revenge.Pub Date: May 26, 2026
ISBN: 9781464249631
Page Count: 368
Publisher: Poisoned Pen
Review Posted Online: April 20, 2026
Kirkus Reviews Issue: May 15, 2026
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
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