Fesperman gives us a well-crafted novel steeped in the politics and street life of 1940s New York, and in the letter writer,...
Many mysteries play out on the big stage of World War II–era New York, where information is the currency of the times.
Woodrow Cain—Citizen Cain, as his fellow detectives in the 14th precinct call him—steps into the drama of the city. He's damaged goods, a disgraced cop from North Carolina, wounded and emotionally scarred by a shooting, now on the NYPD thanks to his connected father-in-law (soon to be ex-). Cain is assigned a murder on the waterfront, and soon, too many policemen, high-powered lawyers, district attorneys, and mobsters are interested. So too is “the letter writer” of the title. Maximilian Danziger is a wizard of a character “whose product, as [his] business card plainly states, is information.” He speaks German, Russian, Yiddish, and Italian and writes letters to the friends and families of his illiterate clients. He's a scribe who keeps secrets, gathers information, and sees the patterns of crime in the city. Fesperman’s troop of characters, historic and fictional, makes New York come alive with conspiracy and mystery. At times, there are too many mysteries, bogging down the story and dragging the pace of the novel. Investigation of the murders of four German immigrants who are members of a fascist sect in America leads to investigation of graft within the halls of the 14th Precinct, which takes us to a cabal of leading city, intelligence, and mob figures gathered together under the flag of patriotism. But at the center of this labyrinth is the cryptic life of Danziger, a Sherlock-like creation who knows many of the answers and hides his past by manipulating information. As his story unfolds through a police file acquired by Cain, the story kicks into thriller overdrive.
Fesperman gives us a well-crafted novel steeped in the politics and street life of 1940s New York, and in the letter writer, he's created a character who will stay with you long after the last shot is fired.Pub Date: April 19, 2016
ISBN: 978-1-101-87506-3
Page Count: 384
Publisher: Knopf
Review Posted Online: Feb. 3, 2016
Kirkus Reviews Issue: Feb. 15, 2016
The setup is so patient and the logistics so matter-of-fact that even the savviest readers will be caught in the story’s...
The FBI hires an aging child actor to go undercover in a West Virginia prison to extract vital information from a convicted money launderer who’d rather keep his head down.
Tommy Jump’s best days onstage are probably behind him. At 27, he’s too old to play children or even teenagers. But as his old schoolmate Danny Ruiz, who’s now with the FBI, assures him, he’s not too old to earn a fat paycheck by playing the role of Peter Lenfest Goodrich, the high school history teacher who reacted to a bank’s plans to foreclose on his mortgage by robbing the bank and then getting caught. Danny is convinced that Tommy’s just the person to worm himself into the confidence of Mitchell Dupree, whose job as an executive in the Latin American division at Union South Bank was seriously compromised when he laundered millions for El Vio, the fearsome, half-blind boss of the New Colima Cartel. Mitch has a wife and two children just beginning the long wait outside for him to serve his time, and although he’s arranged for the documentary evidence he assembled against El Vio to be turned over to the authorities if anything untoward happens to him, he’s not about to upset the apple cart by talking out of turn—unless of course it’s to innocuous Pete Goodrich, who’ll be serving time alongside him in the minimum security Morgantown Prison as soon as he pleads guilty and bids a tearful farewell to Amanda Porter, Tommy’s actual fiancee, who’s just found out she’s pregnant. After all, Tommy’s been acting professionally for most of his life, and the FBI will spring him on a moment’s notice if he gets into trouble, so what could possibly go wrong? Fans of Parks’ well-oiled thrillers (Closer than You Know, 2018, etc.) won’t even bother to ask; they’ll be too busy licking their chops anticipating the twists that are bound to come.
The setup is so patient and the logistics so matter-of-fact that even the savviest readers will be caught in the story’s expertly laid traps before they know what’s happening.Pub Date: March 12, 2019
ISBN: 978-1-5247-4353-6
Page Count: 384
Publisher: Dutton
Review Posted Online: Nov. 25, 2018
Kirkus Reviews Issue: Dec. 15, 2018
Fans who still mourn the passing of Agatha Christie, the model who’s evoked here in dozens of telltale details, will welcome...
A preternaturally brainy novel within a novel that’s both a pastiche and a deconstruction of golden-age whodunits.
Magpie Murders, bestselling author Alan Conway’s ninth novel about Greek/German detective Atticus Pünd, kicks off with the funeral of Mary Elizabeth Blakiston, devoted housekeeper to Sir Magnus Pye, who’s been found at the bottom of a steep staircase she’d been vacuuming in Pye Hall, whose every external door was locked from the inside. Her demise has all the signs of an accident until Sir Magnus himself follows her in death, beheaded with a sword customarily displayed with a full suit of armor in Pye Hall. Conway's editor, Susan Ryeland, does her methodical best to figure out which of many guilty secrets Conway has provided the suspects in Saxby-on-Avon—Rev. Robin Osborne and his wife, Henrietta; Mary’s son, Robert, and his fiancee, Joy Sanderling; Joy’s boss, surgeon Emilia Redwing, and her elderly father; antiques dealers Johnny and Gemma Whitehead; Magnus’ twin sister, Clarissa; and Lady Frances Pye and her inevitable lover, investor Jack Dartford—is most likely to conceal a killer, but she’s still undecided when she comes to the end of the manuscript and realizes the last chapter is missing. Since Conway in inconveniently unavailable, Susan, in the second half of the book, attempts to solve the case herself, questioning Conway’s own associates—his sister, Claire; his ex-wife, Melissa; his ex-lover, James Taylor; his neighbor, hedge fund manager John White—and slowly comes to the realization that Conway has cast virtually all of them as fictional avatars in Magpie Murders and that the novel, and indeed Conway’s entire fictional oeuvre, is filled with a mind-boggling variety of games whose solutions cast new light on murders fictional and nonfictional.
Fans who still mourn the passing of Agatha Christie, the model who’s evoked here in dozens of telltale details, will welcome this wildly inventive homage/update/commentary as the most fiendishly clever puzzle—make that two puzzles—of the year.Pub Date: June 6, 2017
ISBN: 978-0-06-264522-7
Page Count: 464
Publisher: Harper/HarperCollins
Review Posted Online: March 6, 2017
Kirkus Reviews Issue: March 15, 2017
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