Hip, steamy fun.
A small-town teen fond of taking on difficult boyfriends as "projects" acquires a taste for tougher challenges when her newest one turns into a giant bat.
"Vampires are like cockroaches. If you see one, you've got a few. If you see a few, you've got a lot." So explains Vanessa's mysterious but hunky new squeeze Jean-Paul after blowing his cover as a janitor by driving off an attacking band of preppy bloodsuckers—and then revealing that Vanessa herself is descended from a line of monster hunters, and he has been appointed her protector. Rescuing a beloved teacher from exsanguination (armed with industrial quantities of garlic powder and a shop-vac) not only proves the truth of Jean-Paul's observation but firms up Vanessa's vague career plans, too. Presented in graphic panels done in suitably gothic black and white and featuring both sharply drawn characters and plenty of snarky dialogue, this spirited standalone episode joins both its predecessors (I Love Him to Pieces and Made for Each Other) and the simultaneously publishing Under His Spell, by Marie P. Croall and illustrated by Hyeondo Park, as fine fare for Buffy fans of all...types.
Hip, steamy fun. (Graphic paranormal romance. 12-14)Pub Date: Oct. 1, 2011
ISBN: 978-0-7613-7078-9
Page Count: 128
Publisher: Graphic Universe
Review Posted Online: Aug. 2, 2011
Kirkus Reviews Issue: Aug. 15, 2011
Stands out neither as a folk-tale retelling, a coming-of-age story, nor a Holocaust novel.
A Holocaust tale with a thin “Hansel and Gretel” veneer from the author of The Devil’s Arithmetic (1988).
Chaim and Gittel, 14-year-old twins, live with their parents in the Lodz ghetto, forced from their comfortable country home by the Nazis. The siblings are close, sharing a sign-based twin language; Chaim stutters and communicates primarily with his sister. Though slowly starving, they make the best of things with their beloved parents, although it’s more difficult once they must share their tiny flat with an unpleasant interfaith couple and their Mischling (half-Jewish) children. When the family hears of their impending “wedding invitation”—the ghetto idiom for a forthcoming order for transport—they plan a dangerous escape. Their journey is difficult, and one by one, the adults vanish. Ultimately the children end up in a fictional child labor camp, making ammunition for the German war effort. Their story effectively evokes the dehumanizing nature of unremitting silence. Nevertheless, the dense, distancing narrative (told in a third-person contemporaneous narration focused through Chaim with interspersed snippets from Gittel’s several-decades-later perspective) has several consistency problems, mostly regarding the relative religiosity of this nominally secular family. One theme seems to be frustration with those who didn’t fight back against overwhelming odds, which makes for a confusing judgment on the suffering child protagonists.
Stands out neither as a folk-tale retelling, a coming-of-age story, nor a Holocaust novel. (author’s note) (Historical fiction. 12-14)Pub Date: March 6, 2018
ISBN: 978-0-399-25778-0
Page Count: 432
Publisher: Philomel
Review Posted Online: Dec. 20, 2017
Kirkus Reviews Issue: Jan. 15, 2018
A charming adaptation.
A miscommunication leaves Matthew and Marilla Cuthbert responsible for a plucky, effusive orphan girl instead of the boy they’d expected to help maintain their farm.
Retold in traditional manga format, with right-to-left panel orientation and detailed black-and-white linework, this adaptation is delightfully faithful to the source text. Larger panels establish the idyllic country landscape while subtle text boxes identify the setting—Prince Edward Island, Canada, in the 1870s. The book follows redheaded Anne Shirley from her arrival at Green Gables at 11 to her achievement of a college scholarship. In the intervening years, Anne finds stability, friendship, personal growth, and ambition in Avonlea and in the strict but well-intentioned Cuthbert siblings’ household. The familiar story is enhanced by the exciting new format and lush illustrations. A variety of panel layouts provides visual freshness, maintaining reader interest. Backmatter includes the floor plan of the Green Gables house, as well as interior and exterior views, and notes about research on the actual location. A description of the process of adapting the novel to this visual format indicates the care that was taken to highlight particular elements of the story as well as to remain faithful to the smallest details. Readers who find the original text challenging will welcome this as an aid to comprehension and Anne’s existing fans will savor a fresh perspective on their beloved story. All characters appear to be White.
A charming adaptation. (Graphic fiction. 12-14)Pub Date: Sept. 1, 2020
ISBN: 978-1-947808-18-8
Page Count: 308
Publisher: Manga Classics
Review Posted Online: Aug. 18, 2020
Kirkus Reviews Issue: Sept. 1, 2020
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
