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LIVING WITH JAZZ

An informative, brightly written anthology—and a must for any jazz bookshelf.

One of jazz’s most distinguished critics and historians receives a welcome compilation.

Currently director of Rutgers University’s Institute of Jazz Studies, Morgenstern has written prolifically and insightfully about jazz since the ’50s. Incredibly, the present volume is the first anthology of his work. Sensitively edited by Sheldon Meyer, it kicks off with a lovely memoir, “Reminiscing in Tempo,” which recalls how Morgenstern got hooked on jazz as a youth in Vienna, a refugee in wartime Europe, and a newly emigrated arrival in ’40s New York. The book then plunges into his voluminous writing about jazz—profiles, concert reviews, album liner notes, and think pieces produced over six decades. Morgenstern is steeped in the history of traditional jazz; his work reflects a deep familiarity with the minutiae of the music, and he will often debunk a much-circulated myth or illuminate a fine discographical point. He is also a trained musician with a working knowledge of technique and improvisational mechanics, and has a rare ability to get inside a jazz performance and demonstrate what makes it tick. It’s hard to beat his keen observations of such crucial players as Louis Armstrong (who was a longtime friend), Duke Ellington, and Miles Davis, but he writes with equal vibrancy about lesser-known or neglected figures he champions. His pieces about the late, now-overlooked trumpeter Oran “Hot Lips” Page are models of what fine writing about jazz should be: He considers the life and career of this superb musician with warmth, subtle humor, a sharp eye and ear for detail, and a thorough understanding of the jazz milieu. The only drawback is that Morgenstern’s interest in the music’s development evidently began to wane in the early ’60s, when the “new thing” of John Coltrane, Ornette Coleman, and Cecil Taylor (about whom he writes with clarity) was in its ascendancy; latter-day insurgents garner scant attention here. That cavil aside, few jazz observers swing as mightily as Morgenstern.

An informative, brightly written anthology—and a must for any jazz bookshelf.

Pub Date: Nov. 16, 2004

ISBN: 0-375-42072-X

Page Count: 736

Publisher: Pantheon

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 2004

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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