An inspirational and socially relevant fantasy.

DRAGONS WALK AMONG US

From the The Allison Lee Chronicles series , Vol. 1

Debut author Rice offers an allegorical YA fantasy novel about the transformative power of self-love.

Savvy, coffee-loving teenager Allison Lee is strong beyond her years. The biracial girl faces open discrimination and also copes with her apparent abandonment by her mother, who disappeared several years ago. She’s developed a keen sense of social justice along with a skill for photography. When a mysterious stalker hits her over the head, leaving her blind, she turns to an experimental eye-surgery procedure that forever changes her view of the world. Once, Allison saw her camera as her window to the truth; now, with her naked eye, she’s able to see mythological creatures that aren’t visible to other humans and that fight to protect their way of life. Allison’s ability results in her embarking on a dangerous adventure as she discovers her own highly unusual dragon-hunting legacy. She faces mortal peril as she protects humans and other creatures from a violent, otherworldly onslaught. Along the way, she also gets in touch with her own physical and emotional resilience. Although dragons play a central role in Rice’s work, the heart of the narrative is found in simple humanity and in a celebration of differences. Throughout, characters demonstrate emotional growth as they confront their limiting beliefs about others and embrace a sense of family. The story addresses serious, socially relevant subject matter, such as discrimination, poverty, and bullying, but it’s never preachy; indeed, it has a lighthearted tone that will resonate with adolescent readers. It concludes on an affirming, heartfelt note that will leave readers thoroughly satisfied yet also curious about the future of Rice’s magical fictional world.

An inspirational and socially relevant fantasy.

Pub Date: July 19, 2021

ISBN: 978-1-50-923655-8

Page Count: 366

Publisher: Wild Rose Press

Review Posted Online: July 13, 2021

Kirkus Reviews Issue: Sept. 1, 2021

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Engrossing, contemplative, and as heart-wrenching as the title promises.

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THEY BOTH DIE AT THE END

What would you do with one day left to live?

In an alternate present, a company named Death-Cast calls Deckers—people who will die within the coming day—to inform them of their impending deaths, though not how they will happen. The End Day call comes for two teenagers living in New York City: Puerto Rican Mateo and bisexual Cuban-American foster kid Rufus. Rufus needs company after a violent act puts cops on his tail and lands his friends in jail; Mateo wants someone to push him past his comfort zone after a lifetime of playing it safe. The two meet through Last Friend, an app that connects lonely Deckers (one of many ways in which Death-Cast influences social media). Mateo and Rufus set out to seize the day together in their final hours, during which their deepening friendship blossoms into something more. Present-tense chapters, short and time-stamped, primarily feature the protagonists’ distinctive first-person narrations. Fleeting third-person chapters give windows into the lives of other characters they encounter, underscoring how even a tiny action can change the course of someone else’s life. It’s another standout from Silvera (History Is All You Left Me, 2017, etc.), who here grapples gracefully with heavy questions about death and the meaning of a life well-lived.

Engrossing, contemplative, and as heart-wrenching as the title promises. (Speculative fiction. 13-adult).

Pub Date: Sept. 5, 2017

ISBN: 978-0-06-245779-0

Page Count: 384

Publisher: HarperTeen

Review Posted Online: June 5, 2017

Kirkus Reviews Issue: June 15, 2017

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This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.

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GIRL IN PIECES

After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.

Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)

Pub Date: Aug. 30, 2016

ISBN: 978-1-101-93471-5

Page Count: 416

Publisher: Delacorte

Review Posted Online: May 4, 2016

Kirkus Reviews Issue: May 15, 2016

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