A promising and funny debut.
One little lie can’t hurt…it wasn’t even told on purpose!
Sixth-grader Stu Truly accidentally staples his finger to his history assignment when new girl Becca meets his eyes for the first time. But it wasn’t locking eyes with her that caused the stapling incident, because a “new girl at school [is] about as interesting as, well, another girl in school,” right? Then why does it feel as if there is a “zombie warlord in [his] chest” trying to escape whenever he has to interact with Becca? And why, oh why, does he tell her his family is vegetarian like hers—especially since his dad (and his grandfather before that) is a butcher?! Stu can’t seriously, um, like her, can he? And how can he compete with tall, muscle-y, nice-guy Jackson? (Does Stu even want to?) And now his father has a harebrained idea to have a float in the Irrigation Festival parade to promote the family butcher shop, with Stu dressed like a slab of ribs; Becca will discover his lie for sure now. Richards’ first novel utterly charmingly and convincingly depicts a boy’s first crush on a female peer. Stu’s confusion at his own actions leaps off the page, and many readers will identify. The supporting cast consists of everyday kids, and Stu realistically deals with the repercussions of his lie. The book subscribes to the white default.
A promising and funny debut. (Fiction. 8-12)Pub Date: July 3, 2018
ISBN: 978-1-4998-0646-5
Page Count: 288
Publisher: Yellow Jacket
Review Posted Online: April 24, 2018
Kirkus Reviews Issue: May 15, 2018
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often...
A successful juvenile by the beloved New Yorker writer portrays a farm episode with an imaginative twist that makes a poignant, humorous story of a pig, a spider and a little girl.
Young Fern Arable pleads for the life of runt piglet Wilbur and gets her father to sell him to a neighbor, Mr. Zuckerman. Daily, Fern visits the Zuckermans to sit and muse with Wilbur and with the clever pen spider Charlotte, who befriends him when he is lonely and downcast. At the news of Wilbur's forthcoming slaughter, campaigning Charlotte, to the astonishment of people for miles around, spins words in her web. "Some Pig" comes first. Then "Terrific"—then "Radiant". The last word, when Wilbur is about to win a show prize and Charlotte is about to die from building her egg sac, is "Humble". And as the wonderful Charlotte does die, the sadness is tempered by the promise of more spiders next spring.
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often informative as amusing, and the whole tenor of appealing wit and pathos will make fine entertainment for reading aloud, too.Pub Date: Oct. 15, 1952
ISBN: 978-0-06-026385-0
Page Count: 192
Publisher: Harper/HarperCollins
Review Posted Online: Sept. 14, 2011
Kirkus Reviews Issue: Oct. 1, 1952
PERSPECTIVES
SEEN & HEARD
A successful call for creating and imagining, even if the story itself falls short.
In the dystopian, totalitarian world of 2099, 14-year-old Tessa and her family are desperate to solve the mystery of her twin brother Theo’s disappearance.
Tessa is growing up in a time when playgrounds are historical relics, surveillance cameras are everywhere, music is outlawed, and owning books is illegal. Under the absolute rule of Zokiris, the decadeslong leader of her territory, people are heavily controlled. When Theo vanishes under mysterious circumstances and his name is erased from the Territory Statistics list, Tessa’s 135-year-old neighbor, Miriam, gives the family contraband books that become central to figuring out Theo’s whereabouts. Most books have long since been seized and stored away in Building 903; Tessa is intrigued by their presence in her home, while her mother is terrified. Lowry, the acclaimed, award-winning author of The Giver (1993), shines in her creation of uncomfortably believable dystopian societies. Tessa’s painfully limited world is fully imagined, with its own history, laws, and norms. Her relationship with her brother reads as realistic and tender and is crucial to the mystery. Miriam is the most strongly developed character: wise and independent, unafraid and hopeful. While the climb to the book’s climax is captivating, the hurried resolution is disappointing. The powerful messaging around the importance of literature and imagination certainly resonates, however. The main characters present white.
A successful call for creating and imagining, even if the story itself falls short. (Dystopian. 9-12)Pub Date: Sept. 29, 2026
ISBN: 9780063515109
Page Count: 240
Publisher: Clarion/HarperCollins
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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