One of Simmons’ best.
Horror novel based on an ill-fated 19th-century polar expedition.
Simmons (Olympos, 2005, etc.) tells the story through the eyes of several characters, including the expedition’s leader, Sir John Franklin, co-commander Captain Francis Crozier and the ship’s surgeon Harry Goodsir. The author jumbles the chronological sequence, beginning in October 1847 with Terror (one of the expedition’s two ships; the other was Erebus) trapped in the ice north of Canada, where they have come in search of the Northwest Passage. The initial scene immediately introduces the novel’s main supernatural element: a giant bear-like entity (the crew call it the thing) that preys on the explorers and appears invulnerable to their weapons. The expedition is in enough trouble without this hostile being’s attention. Food is short, thanks in part to improperly prepared canned goods; the ships have been frozen in thick sea ice for two consecutive winters; many of the crew show signs of scurvy; and temperatures have been consistently 50 or more degrees below zero. Overconfident Franklin has disobeyed orders to leave behind messages detailing his movements, so rescue expeditions have no idea where to search for him. Crozier, for his part, is a chronic drunk, although it doesn’t seem to affect his command of his ship and men. Simmons convincingly renders both period details and the nuts and bolts of polar exploration as his narrative moves back and forth in time to show the expedition’s launch in 1845 and its early days in the Arctic. Tension builds as the men struggle to survive: The thing is a constant menace, and deaths continue to mount as a result of brutal Arctic conditions. The supernatural element helps resolve the plot in a surprising yet highly effective manner.
One of Simmons’ best.Pub Date: Jan. 8, 2007
ISBN: 0-316-01744-2
Page Count: 784
Publisher: Little, Brown
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Nov. 1, 2006
A masterpiece, entirely Nobel-worthy.
Two mysterious quests form the core of Murakami’s absorbing seventh novel, whose encyclopedic breadth recalls his earlier successes, A Wild Sheep Chase (1989) and The Wind-Up Bird Chronicle (1997).
In the first of two parallel narratives, 15-year-old Kafka Tamura drops out of school and leaves the Tokyo home he shares with his artist-sculptor father, to seek the mother and sister who left them when Kafka was four years old. Traveling to the small town of Takamatsu, he spends his days at a free library, reconnects with a resourceful older girl who becomes his de facto mentor, and begins to reenact the details of a mysterious “incident” from more than 60 years ago. In 1944, a group of 16 schoolchildren inexplicably “lost consciousness” during an outing in a rural mountain area. Only one of them, Satoru Nakata, emerged from the incident damaged—and it’s he who, decades later, becomes the story’s second protagonist: a childlike, scarcely articulate, mentally challenged sexagenarian who is supported by a possibly guilty government’s “sub city” and possesses the ability to hold conversations (charmingly funny ones) with cats. With masterly skill and considerable subtlety, Murakami gradually plaits together the experiences and fates of Kafka and Nakata, underscoring their increasingly complex symbolic significance with several dazzling subplots and texts: a paternal prophecy echoing the Oedipus legend (from which Kafka also seeks escape); a faux-biblical occurrence in which things that ought not to be in the skies are raining down from them; the bizarre figures of a whore devoted to Hegel’s philosophy; and an otherworldly pimp whose sartorial affectations cloak his true menacing nature; a ghostly forest into which Russian soldiers inexplicably disappear; and—in glancing allusions to Japanese novelist Natsume Soseki—a clever homage to that author’s beguiling 1905 fantasy, I Am a Cat. Murakami is of course himself an immensely reader-friendly novelist, and never has he offered more enticing fare than this enchantingly inventive tale.
A masterpiece, entirely Nobel-worthy.Pub Date: Jan. 24, 2005
ISBN: 1-4000-4366-2
Page Count: 480
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2004
BOOK REVIEW
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An ambitious look at how women’s roles have changed—and stayed the same—over the last 70 years.
A sprawling story about two sisters growing up, apart, and back together.
Jo and Bethie Kaufman may be sisters, but they don’t have much else in common. As young girls in the 1950s, Jo is a tomboy who’s uninterested in clothes while Bethie is the “pretty one” who loves to dress up. When their father dies unexpectedly, the Kaufman daughters and their mother, Sarah, suddenly have to learn how to take care of themselves at a time when women have few options. Jo, who realizes early on that she’s attracted to girls, knows that it will be difficult for her to ever truly be herself in a world that doesn’t understand her. Meanwhile, Bethie struggles with her appearance, using food to handle her difficult emotions. The names Jo and Beth aren’t all that Weiner (Hungry Heart, 2016, etc.) borrows from Little Women; she also uses a similar episodic structure to showcase important moments of the sisters’ lives as she follows them from girlhood to old age. They experience the civil rights movement, protests, sexual assault, drugs, sex, and marriage, all while dealing with their own personal demons. Although men are present in both women's lives, female relationships take center stage. Jo and Bethie are defined not by their relationships with husbands or boyfriends, but by their complex and challenging relationships with their mother, daughters, friends, lovers, and, ultimately, each other. Weiner resists giving either sister an easy, tidy ending; their sorrows are the kind that many women, especially those of their generation, have had to face. The story ends as Hillary Clinton runs for president, a poignant reminder of both the strides women have made since the 1950s and the barriers that still hold them back.
An ambitious look at how women’s roles have changed—and stayed the same—over the last 70 years.Pub Date: June 11, 2019
ISBN: 978-1-5011-3348-0
Page Count: 480
Publisher: Atria
Review Posted Online: March 17, 2019
Kirkus Reviews Issue: April 1, 2019
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