Simmons never once blinks in the face of the improbable, and he serves up a lively, eminently entertaining adventure that...
A yeti? Jawohl!
Simmons (The Terror, 2007, etc.) never met an opportunity for allusive terror that he didn’t like, and though his latest is set mostly in the Himalayas, he pays quiet tribute to Poe’s Narrative of Arthur Gordon Pym and perhaps Lovecraft’s At the Mountains of Madness, with a dash of Raiders of the Lost Ark for leavening. The last, after all, introduced us to the possibility of an Asian mountain range swarming with operatives of the budding Third Reich—but of that, lest spoilers result, let us speak no more. The premise is lovely: A memoirist, years after the fact, turns his manuscript over to a published writer for—well, not fame and fortune, but to find the one, just the one, ideal reader. He is one of three climbers who, having heard of the death of Mallory while having lunch after a hard climb of the Matterhorn, decide to head to Everest and find out what happened to their fallen idol. Weird possibilities ensue, including the apparent prospect that Mallory was felled, as were other climbers, by abominable (whence the title) snowmen eager to protect their mountain fastness. But perhaps not, given, as the Allied team (an American, a Briton and a Frenchman) find themselves in the cross hairs of eight-millimeter firearms “[p]opular with the Austrians and Hungarians in pistols designed before the War by Karel Krnka and Georg Roth...later produced by Germans for infantry officers.” A bummer to discover such things in the midst of howling spin drifts five miles above the sea, but what’s a becramponed fellow to do?
Simmons never once blinks in the face of the improbable, and he serves up a lively, eminently entertaining adventure that would do Edgar Allan Poe—and even Rudyard Kipling—proud.Pub Date: Oct. 22, 2013
ISBN: 978-0-316-19883-7
Page Count: 672
Publisher: Little, Brown
Review Posted Online: Sept. 3, 2013
Kirkus Reviews Issue: Oct. 1, 2013
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
PROFILES
Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.
Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.
In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.
Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.Pub Date: May 6, 2014
ISBN: 978-1-4767-4658-6
Page Count: 448
Publisher: Scribner
Review Posted Online: March 5, 2014
Kirkus Reviews Issue: March 15, 2014
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