by Dana Cottrell ‧ RELEASE DATE: Dec. 31, 2016
An unevenly paced historical novel aimed at a Christian audience.
In Cottrell’s (Visions and Dreams, 2011, etc.) novel, lost scrolls tell the story of a Greek woman’s unwavering faith and rise to power.
Two college students discover 20 ancient scrolls, written by a Jewish man named Silvanus at a time when much of the world was under Roman rule. In them, he documents a range of political and cultural events in the first century, from the mundane to the extraordinary; his family acquires money and safety by running a guesthouse for Roman travelers, and they travel frequently to make money as traders “of all sorts.” Silvanus also devotes a good deal of space in his scrolls to the birth of Christianity. His family members are Jesus’ contemporaries, and they become converts and evangelists of the new religion. Silvanus’ plucky sister, Rachael, often takes center stage in the narrative as she grows into a scholar, preacher, and businesswoman. Her fearless nature, intelligence, and beauty eventually make her the most powerful woman in Greece, even as she remains devoted to her persecuted Christian faith. Rachael and the rest of Cottrell’s characters embody Jesus’ biblical declaration that “with God all things are possible,” and the novel seems to echo his characters’ evangelical mission, which will likely limit its appeal to Christian readers. Rachael is indeed a fascinating character. However, Cottrell offers no notes that separate fact from fiction or any background on his historical research; as a result, readers may wonder if Rachael is an actual historical figure or an analogue of one. The larger issue for readers, though, will be the book’s lack of narrative momentum. The novel reads very much like a journal, with no overarching tension or specific direction; as a result, the plot drags at times, particularly during long sequences depicting travel and trade. The abrupt ending, when the scrolls run out, leaves readers to guess at Silvanus’ and his family’s fates.
An unevenly paced historical novel aimed at a Christian audience.Pub Date: Dec. 31, 2016
ISBN: N/A
Page Count: 212
Publisher: Christian Faith Publishing
Review Posted Online: May 31, 2017
Review Program: Kirkus Indie
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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by Alex Michaelides ‧ RELEASE DATE: Feb. 5, 2019
Amateurish, with a twist savvy readers will see coming from a mile away.
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New York Times Bestseller
IndieBound Bestseller
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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