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SILENCING THE SELF

DEPRESSION AND WOMEN

In an enlightening but limited study, Jack (Psychology/Western Washington Univ.) focuses on the psychosocial factors behind female depression. Referring to classical theorists (Bowlby, Freud, Winnicott, etc.) as well as to contemporary mentors (Heilbrum, Gilligan, Bernard, etc.) and important cultural observers (Rich, Dinnerstein, Olsen, etc.), she presents a formulation based on the centrality of relationships in women's lives. Contending that interpersonal intimacy, not separation, is ``the profound organizer of female experience,'' Jack rejects the standard mental-health definition of depression, with its assumptions of male dominance, and looks for new, specifically female norms using depressed women as guides (and trusting their reliability as witnesses). She uncovers several common themes in their lives with men—patterns of self-censorship and anger resulting in the absence of intimacy—and examines their cultural sources: how women learn to shape their behavior to fit an imagined male ideal, say, or how mothers pass along submissive behaviors to daughters. Much of this is valuable to understanding some depressions, and the many examples of women who stifle impulses and their authentic selves, and who undermine the integrity of their relationships with men, offer strong validation. Jack can even turn unlikely material like the story of Rumpelstiltskin into relevant testimony. But her sample is slight (twelve DSM-III diagnosed women seen several times during a two-year period) and doesn't reflect a full range of depression onsets. Moreover, although she refers to the presence of biological factors in the opening chapter, they play no part in the argument that follows. Jack also neglects other instances of depression—including those following illness or a loved one's death, and depression in males—that would have been useful for contrast. Even so, look for this as a complement to often-cited books already on the shelves and expect readers to respond to the unadorned anecdotes, forceful prose style, and steady flow of insights into the dynamics of female depression.

Pub Date: Oct. 1, 1991

ISBN: 0-674-80815-0

Page Count: 256

Publisher: Harvard Univ.

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1991

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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