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TRAGIC

Exceptional characters elevate an absorbing, often eerie murder mystery.

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A young woman’s search for her father’s killer exposes dark family secrets and deception in this contemporary graphic-novel take on Hamlet.

New Yorker Harper Hayes is shattered by the sudden loss of her father. Hamilton died of a heart attack, at least according to the coroner. But then Harper runs into her father’s ghost at the old theater where the famous actor first took the stage. Hamilton, appearing as his younger self portraying Hamlet, assures his daughter that his death was a murder (“You know what you have to do”). Harper is determined to unmask the killer and has a couple of suspects in mind, from Hamilton’s estranged brother to his business partner at CPOLO Invest. She also finds a solid lead—the very real possibility that someone forged the coroner’s report. Another suspicious death takes Harper’s investigation in an entirely new direction, and she gets helping hands from her ex-girlfriend Talia Polonius and her friend Holden Parker. Answers may lie in the Hayeses’ remarkably creepy Gothic home or at the coroner’s office, which would require dealing with the security system. All the while, Harper is periodically blacking out. Along with an apparent vision of an unknown person shoving her off a balcony, she wakes up after one blackout with blood on her hands that won’t come off. As Harper and the others inch closer to a possible solution, their mutual trust wanes. Harper may not be willing to believe someone close to her is guilty, and her friends may even question her startling proximity to Hamilton at the time he died.

Despite the infusion of elements from Shakespeare’s play (for example, character names), Mele develops an original and sublime cast in this series opener. Ghostly and winsome Hamilton, for example, provides some comic relief, as he tends to utter his remarks while Harper converses with people who can neither see nor hear him. There’s also a potential love triangle. Harper and Talia may reignite old feelings, so long as the protagonist stays mum about the “benefits” that she and Holden at one time added to their friendship. Harper’s visions, often accompanied by Hamlet quotes, are gleefully unnerving, as a bizarre presence of some kind seemingly takes over the panels and the hero’s mind. But like Shakespeare’s Hamlet, Harper and readers can’t be certain if any of it is real—is Hamilton a mere figment of her imagination, or has her father come back to help her solve his homicide? It’s all a puzzle, which effectively parallels the murder mystery, including the likelihood that the killer is someone Harper knows very well. Pinti and Di Francia, who have worked together on the Red Sonja: Red Sitha series (2022), fill the pages with bold colors and characters’ sharply expressive faces. The few instances of Harper’s sometimes bloody hallucinations are particularly strong and reinforce the narrative with an ominous supernatural vibe. The volume ends on a cliffhanger. In Mele’s closing notes, the author hints that subsequent installments won’t completely follow Hamlet, so the murderer’s identity may surprise readers familiar with the tragedy.

Exceptional characters elevate an absorbing, often eerie murder mystery.

Pub Date: Sept. 13, 2022

ISBN: 978-1-68116-096-2

Page Count: 112

Publisher: Legendary Comics YA

Review Posted Online: Sept. 28, 2022

Kirkus Reviews Issue: Nov. 1, 2022

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THE FAINT OF HEART

A fast-paced dip into the possibility of a world without human emotions.

A teenage girl refuses a medical procedure to remove her heart and her emotions.

June lives in a future in which a reclusive Scientist has pioneered a procedure to remove hearts, thus eliminating all “sadness, anxiety, and anger.” The downside is that it numbs pleasurable feelings, too. Most people around June have had the procedure done; for young people, in part because doing so helps them become more focused and successful. Before long, June is the only one among her peers who still has her heart. When her parents decide it’s time for her to have the procedure so she can become more focused in school, June hatches a plan to pretend to go through with it. She also investigates a way to restore her beloved sister’s heart, joining forces with Max, a classmate who’s also researching the Scientist because he has started to feel again despite having had his heart removed. The pair’s journey is somewhat rushed and improbable, as is the resolution they achieve. However, the story’s message feels relevant and relatable to teens, and the artwork effectively sets the scene, with bursts of color popping throughout an otherwise black-and-white landscape, reflecting the monochromatic, heartless reality of June’s world. There are no ethnic or cultural markers in the text; June has paper-white skin and dark hair, and Max has dark skin and curly black hair.

A fast-paced dip into the possibility of a world without human emotions. (Graphic speculative fiction. 12-18)

Pub Date: June 13, 2023

ISBN: 9780063116214

Page Count: 304

Publisher: Greenwillow Books

Review Posted Online: April 24, 2023

Kirkus Reviews Issue: May 15, 2023

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PEMMICAN WARS

A GIRL CALLED ECHO, VOL. I

A sparse, beautifully drawn story about a teen discovering her heritage.

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In this YA graphic novel, an alienated Métis girl learns about her people’s Canadian history.

Métis teenager Echo Desjardins finds herself living in a home away from her mother, attending a new school, and feeling completely lonely as a result. She daydreams in class and wanders the halls listening to a playlist of her mother’s old CDs. At home, she shuts herself up in her room. But when her history teacher begins to lecture about the Pemmican Wars of early 1800s Saskatchewan, Echo finds herself swept back to that time. She sees the Métis people following the bison with their mobile hunting camp, turning the animals’ meat into pemmican, which they sell to the Northwest Company in order to buy supplies for the winter. Echo meets a young girl named Marie, who introduces Echo to the rhythms of Métis life. She finally understands what her Métis heritage actually means. But the joys are short-lived, as conflicts between the Métis and their rivals in the Hudson Bay Company come to a bloody head. The tragic history of her people will help explain the difficulties of the Métis in Echo’s own time, including those of her mother and the teen herself. Accompanied by dazzling art by Henderson (A Blanket of Butterflies, 2017, etc.) and colorist Yaciuk (Fire Starters, 2016, etc.), this tale is a brilliant bit of time travel. Readers are swept back to 19th-century Saskatchewan as fully as Echo herself. Vermette’s (The Break, 2017, etc.) dialogue is sparse, offering a mostly visual, deeply contemplative juxtaposition of the present and the past. Echo’s eventual encounter with her mother (whose fate has been kept from readers up to that point) offers a powerful moment of connection that is both unexpected and affecting. “Are you…proud to be Métis?” Echo asks her, forcing her mother to admit, sheepishly: “I don’t really know much about it.” With this series opener, the author provides a bit more insight into what that means.

A sparse, beautifully drawn story about a teen discovering her heritage.

Pub Date: March 15, 2018

ISBN: 978-1-55379-678-7

Page Count: 48

Publisher: HighWater Press

Review Posted Online: Feb. 28, 2018

Kirkus Reviews Issue: May 1, 2018

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