The up-to-the-minute details about travel in Europe make this an engaging, enjoyable, and even informational read.

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AND WE'RE OFF

Seventeen-year-old Nora Parker-Holmes has only one obstacle to her upcoming European grand tour: her mother, “five foot three inches tall, newly minted paralegal, and parental nightmare.”

The white teen’s artist grandfather has prepared a treasure hunt for her with clues to various artworks in different European cities. Nora is excited to go abroad for the first time and to pursue her dream of becoming a great artist, but her enjoyment is cut short by her mother’s insistence on accompanying her and micromanaging her every move. Her mother regards art as a disposable hobby and strongly discourages Nora from pursuing it—which makes Nora more determined than ever to succeed. She finally comes into her own during an intensive art course in rural Ireland, where her social life perks up considerably when she meets a charming Irish white boy and his friends. Rapprochement between mother and daughter comes in Florence, in front of a painting of her grandfather’s that incorporates Nora’s fan-fiction cartoons. In a satisfying conclusion, Nora’s ambition is vindicated in her mother’s eyes, and mother and daughter learn to appreciate each other for who they truly are. Nora’s first-person narration does not particularly stand out from the crowd, but her artistic bent gives her character some individuality, and it’s hard to beat a European holiday for vicarious fun

The up-to-the-minute details about travel in Europe make this an engaging, enjoyable, and even informational read. (Fiction. 14-18)

Pub Date: May 2, 2017

ISBN: 978-0-448-49381-7

Page Count: 272

Publisher: Razorbill/Penguin

Review Posted Online: March 29, 2017

Kirkus Reviews Issue: April 15, 2017

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This story is necessary. This story is important.

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THE HATE U GIVE

Sixteen-year-old Starr Carter is a black girl and an expert at navigating the two worlds she exists in: one at Garden Heights, her black neighborhood, and the other at Williamson Prep, her suburban, mostly white high school.

Walking the line between the two becomes immensely harder when Starr is present at the fatal shooting of her childhood best friend, Khalil, by a white police officer. Khalil was unarmed. Khalil’s death becomes national news, where he’s called a thug and possible drug dealer and gangbanger. His death becomes justified in the eyes of many, including one of Starr’s best friends at school. The police’s lackadaisical attitude sparks anger and then protests in the community, turning it into a war zone. Questions remain about what happened in the moments leading to Khalil’s death, and the only witness is Starr, who must now decide what to say or do, if anything. Thomas cuts to the heart of the matter for Starr and for so many like her, laying bare the systemic racism that undergirds her world, and she does so honestly and inescapably, balancing heartbreak and humor. With smooth but powerful prose delivered in Starr’s natural, emphatic voice, finely nuanced characters, and intricate and realistic relationship dynamics, this novel will have readers rooting for Starr and opening their hearts to her friends and family.

This story is necessary. This story is important. (Fiction. 14-adult)

Pub Date: Feb. 28, 2017

ISBN: 978-0-06-249853-3

Page Count: 464

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: Dec. 6, 2016

Kirkus Reviews Issue: Dec. 15, 2016

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An emotionally engaging closer that fumbles in its final moments.

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ALWAYS AND FOREVER, LARA JEAN

From the To All the Boys I've Loved Before series , Vol. 3

Lara Jean prepares for college and a wedding.

Korean-American Lara Jean is finally settled into a nice, complication-free relationship with her white boyfriend, Peter. But things don’t stay simple for long. When college acceptance letters roll in, Peter and Lara Jean discover they’re heading in different directions. As the two discuss the long-distance thing, Lara Jean’s widower father is making a major commitment: marrying the neighbor lady he’s been dating. The whirlwind of a wedding, college visits, prom, and the last few months of senior year provides an excellent backdrop for this final book about Lara Jean. The characters ping from event to event with emotions always at the forefront. Han further develops her cast, pushing them to new maturity and leaving few stones unturned. There’s only one problem here, and it’s what’s always held this series back from true greatness: Peter. Despite Han’s best efforts to flesh out Peter with abandonment issues and a crummy dad, he remains little more than a handsome jock. Frankly, Lara Jean and Peter may have cute teen chemistry, but Han's nuanced characterizations have often helped to subvert typical teen love-story tropes. This knowing subversion is frustratingly absent from the novel's denouement.

An emotionally engaging closer that fumbles in its final moments. (Romance. 14-17)

Pub Date: May 2, 2017

ISBN: 978-1-4814-3048-7

Page Count: 336

Publisher: Simon & Schuster

Review Posted Online: March 29, 2017

Kirkus Reviews Issue: April 15, 2017

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