Eva’s dad, a university professor and former Catholic seminarian, sees a Sabbatical year in Communist Poland as his chance to make a difference in the world. Eva, still reeling from her mother’s death, sees it as a guaranteed way to ruin her senior year, and vows to escape to Chicago by any means possible. In Poland, in 1978, their few suitcases of belongings look like unimaginable wealth; Eva is revolted when she’s given, as a rare treat, a shiny slice of lard. But soon she’s more revolted by the persecution she sees everyday. She comes to appreciate Poland’s natural beauty and the stoic courage of her father’s students and friends. As her character gradually evolves against a stark, realistic landscape dotted with lights of courage and hope (one of them named Karol Wojtyla), her voice draws the reader inexorably into the story. Modern Communism is rarely depicted in children’s literature, and never before this well. (Historical fiction. 12-15)
Pub Date: March 1, 2006
ISBN: 0-15-205462-6
Page Count: 256
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2006
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Stands out neither as a folk-tale retelling, a coming-of-age story, nor a Holocaust novel.
A Holocaust tale with a thin “Hansel and Gretel” veneer from the author of The Devil’s Arithmetic (1988).
Chaim and Gittel, 14-year-old twins, live with their parents in the Lodz ghetto, forced from their comfortable country home by the Nazis. The siblings are close, sharing a sign-based twin language; Chaim stutters and communicates primarily with his sister. Though slowly starving, they make the best of things with their beloved parents, although it’s more difficult once they must share their tiny flat with an unpleasant interfaith couple and their Mischling (half-Jewish) children. When the family hears of their impending “wedding invitation”—the ghetto idiom for a forthcoming order for transport—they plan a dangerous escape. Their journey is difficult, and one by one, the adults vanish. Ultimately the children end up in a fictional child labor camp, making ammunition for the German war effort. Their story effectively evokes the dehumanizing nature of unremitting silence. Nevertheless, the dense, distancing narrative (told in a third-person contemporaneous narration focused through Chaim with interspersed snippets from Gittel’s several-decades-later perspective) has several consistency problems, mostly regarding the relative religiosity of this nominally secular family. One theme seems to be frustration with those who didn’t fight back against overwhelming odds, which makes for a confusing judgment on the suffering child protagonists.
Stands out neither as a folk-tale retelling, a coming-of-age story, nor a Holocaust novel. (author’s note) (Historical fiction. 12-14)Pub Date: March 6, 2018
ISBN: 978-0-399-25778-0
Page Count: 432
Publisher: Philomel
Review Posted Online: Dec. 20, 2017
Kirkus Reviews Issue: Jan. 15, 2018
Flat secondary characterizations and humdrum dialogue won’t keep teens from relishing this histrionic tale of love, death...
Wealthy high school junior Mcalister “Caggie” Caulfield seeks relief from grief over her younger sister’s death by entering into a dangerous relationship with a mysterious boy.
After her little sister drowns in the pool at her family’s beach house in the Hamptons, Caggie wants to die too, to the point that she contemplates jumping off the roof at a friend’s party in Manhattan. A schoolmate named Kristen saves her at the last minute but nearly falls herself. Caggie actually ends up pulling Kristen back and is credited as a hero, which only makes her feel worse. In her grief, Caggie spurns the attentions of her best friend and devoted boyfriend, but she finds a kindred spirit in Astor, a tall, dark and damaged new boy at school who recently lost his mother to cancer. But what Caggie comes to realize about her relationship with Astor is that “[d]arkness stacked on darkness just makes it that much harder to find the light.” After another nearly fatal disaster with Astor at the beach house, Caggie is forced to confront the falsehoods she has told her family and friends and let go of her guilt over her sister’s death. Though Caggie makes a point of telling readers that her paternal grandfather called people like her “phony,” almost nothing is made of the connection to Catcher in the Rye, and it serves merely to make Caggie’s tale suffer by comparison.
Flat secondary characterizations and humdrum dialogue won’t keep teens from relishing this histrionic tale of love, death and lies. (Fiction. 12-15)Pub Date: March 18, 2014
ISBN: 978-1-4424-3316-8
Page Count: 304
Publisher: Simon Pulse/Simon & Schuster
Review Posted Online: Jan. 14, 2014
Kirkus Reviews Issue: Feb. 1, 2014
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