Haworth takes the legend of the Selkie and gives it a modern-day twist. Twelve-year-old Allie Jo lives in Florida at her parents’ famous antebellum hotel, The Meriwether. Her plans for a quiet summer are thwarted after she catches 13-year-old Chase, a guest at the hotel, skateboarding on the hotel’s historic wooden floors. Despite this inauspicious beginning, the two fall into an easy friendship, with Allie Jo showing Chase the town’s attractions and the charms of the hotel. When Allie Jo and Chase meet a mysterious girl, Tara, who claims she is a Selkie on the run from the man who stole her sealskin, the two friends rise to the challenge and help Tara get her skin back. The author sets a quick pace in short chapters alternating among Allie Jo, Chase and Tara. The two kids take turns narrating in a colloquial present tense, while the author maintains a magical frisson by presenting Tara’s chapters in a stately, third-person voice. Although predictable, the mix of fantasy and light mystery makes for an entertaining read. Fans of Liz Kessler’s Emily Windsnap will enjoy this amusing tale. (Magical adventure. 8-12)
Pub Date: June 1, 2010
ISBN: 978-0-8027-9520-5
Page Count: 240
Publisher: Walker
Review Posted Online: June 3, 2010
Kirkus Reviews Issue: May 15, 2010
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Readers may not wish to leave this magical world
Van, who is hard of hearing and uses hearing aids, discovers the true mission of the City Collection Agency: to collect wayward wishes.
One summer in an unnamed North American city, Van spots a girl and a squirrel fishing for a coin that has just been tossed into a fountain by wisher. He soon learns that both girl and squirrel belong to a secret society of people and talking animals who collect and store wishes made as folks toss coins in fountains, extinguish birthday candles, break wishbones, and so forth. Turns out, when uncontained, wishes can come true, and their magic is often chaotic, unpredictable, and dangerous. Van is soon pulled into a power struggle when Mr. Falborg, a fan of Van’s opera-singer mother who is also aware of wishing magic, asks Van to find out just what the City Collection Agency has stored away. West states in her acknowledgements that she consulted with several deaf and hard-of-hearing students, and the descriptions of Van’s use of hearing aids, his struggles with background noise, and his ability to quickly rethink misheard speech based on context clues ring true. Although the plot gets a little bogged down in comings and goings and a few characters seem extraneous, West has constructed a fast-paced and engrossing tale of a boy wrestling with the consequences of power and responsibility. The book assumes a white default.
Readers may not wish to leave this magical world . (Fantasy. 8-12)Pub Date: Oct. 9, 2018
ISBN: 978-0-06-269169-9
Page Count: 384
Publisher: Greenwillow Books
Review Posted Online: July 29, 2018
Kirkus Reviews Issue: Aug. 15, 2018
This creepy, quirky debut trilogy opener—think H.P. Lovecraft crossed with John Bellairs—is dank, misty fun.
Not your average coastal getaway, Eerie-on-Sea is brimming with secrets, including its own monster.
In the dismal offseason, young Herbie Lemon, the Grand Nautilus Hotel’s cautious (he’s heard the legends) Lost-and-Founder, is on the job, keeping warm, when Violet Parma, abandoned at the hotel as an infant 12 years ago, arrives, searching for her lost parents and fleeing pursuit. Fearless and determined, she recruits Herbie into her schemes. He knows she isn’t telling him her whole story—but then, he isn’t telling her (or readers) his, either. When a clue leads them to the Eerie Book Dispensary, a mechanical mermonkey steers Violet to a book about the malamander, an aquatic monster that lays a magical egg at Midwinter, then takes it back. Other egg seekers include a local author; the imperious hotel owner, whose grandfather once possessed it; the ghostly Boat Hook Man; and Violet’s parents. (Her father, the only character identified by race, is black; whether the white default that seems to apply to the rest of the book applies also to Violet is unclear.) While present-tense narration frequently has a bland effect on fantasy, flattening time and the contours of history, here lively characters, droll humor, and steampunk-tinged worldbuilding counter the effect. The limited art available for review amplifies the spookiness. The deeply atmospheric setting is a standout.
This creepy, quirky debut trilogy opener—think H.P. Lovecraft crossed with John Bellairs—is dank, misty fun. (Fantasy. 8-12)Pub Date: Sept. 10, 2019
ISBN: 978-1-5362-0722-4
Page Count: 320
Publisher: Walker US/Candlewick
Review Posted Online: May 26, 2019
Kirkus Reviews Issue: June 15, 2019
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