by Daniel Abraham ‧ RELEASE DATE: April 7, 2011
Will truth and justice prevail? Stay tuned. A pleasure for Abraham’s legion of fans.
Finally, the bankers get a fantasy that doesn’t involve our pension funds.
Inaugurating a new series, prolific fantasy novelist Abraham (A Shadow in Summer, 2006, etc.) draws deeply from the treasure vault of genre conventions and tosses some aside. Almost all fantasy, Abraham has observed, derives from J.R.R. Tolkien and the faux-medieval-European worlds he created. This effort is something different, even approaching science fiction in its imaginative geography, and with a strange sort of anthropology to boot—one of the first people we meet, for instance, is an exemplar of “the thirteen races of humanity” and she has fearsome tusks to match her gigantic fingers, a sort of Tolkienesque dwarf in reverse. This ain’t your grandpa’s Tolkien, either, to judge by some of the dialogue: “Who the fuck are you?” asks a sailor, to which Strider—beg pardon, Marcus, his figurative cousin—replies, “The man telling you that’s enough.” It’s as if Clint Eastwood went to Narnia, which, come to think of it, isn’t a bad Hollywood pitch. But the setup isn’t quite as macho as all that, for in the gathering storm of Forces of Evil versus good guys, it’s a young girl, Cithrin the half-Cinnae, who’s entrusted with the secrets of the bank—and we’re not talking just any old double-entry bookkeeping either. But even the fattest wallet doesn’t stand up to a double-edged broadsword, and there things get interesting. All the makings of a standard fantasy are there: an improbable band battles seemingly insurmountable odds to save humankind and restore someone’s birthright, evil comes close to triumphing, the darkness descends and then... But Abraham avoids the excesses of formula, and if the back-and-forth is sometimes a little flat (“My Lord Issandrian forgets that this is not the first violence that your disagreements with House Kalliam have spawned”), the story moves along at a nice clip.
Will truth and justice prevail? Stay tuned. A pleasure for Abraham’s legion of fans.Pub Date: April 7, 2011
ISBN: 978-0-316-08068-2
Page Count: 592
Publisher: Orbit/Little, Brown
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: March 15, 2011
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by Christopher Buehlman ‧ RELEASE DATE: Oct. 2, 2012
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
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Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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by Robin Hobb ‧ RELEASE DATE: April 17, 1995
At Buckkeep in the Six Duchies, young Fitz, the bastard son of Prince Chivalry, is raised as a stablehand by old warrior Burrich. But when Chivalry dies without legitimate issue—murdered, it's rumored—Fitz, at the orders of King Shrewd, is brought into the palace and trained in the knightly and courtly arts. Meanwhile, secretly at night, he receives instruction from another bastard, Chade, in the assassin's craft. Now, King Shrewd's subjects are imperiled by the visits of the Red-Ship Raiders—formidable warriors who pillage the seacoasts and turn their human victims into vicious, destructive zombies. Since rehabilitating the zombies proves impossible, it's Fitz's task to go abroad covertly and kill them as quickly and humanely as possible. Shrewd orders that Fitz be taught the Skill—mental powers of telepathy and coercion possessed by all those of the royal line; his teacher is Galen, a sadistic ally of the popinjay Prince Regal, who hates Fitz all the more for his loyalty to Shrewd's other son, the stalwart soldier Verity. Galen brutalizes Fitz and, unknown to anyone, implants a mental block that prevents Fitz from using the Skill. Later, Shrewd decrees that, to cement an alliance, Verity shall wed the Princess Kettricken, heir to a remote yet rich mountain kingdom. Verity, occupied with Skillfully keeping the Red-Ship Raiders at bay, can't go to collect his bride, so Regal and Fitz are sent. Finally, Fitz must discover the depths of Regal's perfidy, recapture his true Skill, win Kettricken's heart for Verity, and help Verity defeat the Raiders. An intriguing, controlled, and remarkably assured debut, at once satisfyingly self-contained yet leaving plenty of scope for future extensions and embellishments.
Pub Date: April 17, 1995
ISBN: 0-553-37445-1
Page Count: 368
Publisher: Spectra/Bantam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1995
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