Will truth and justice prevail? Stay tuned. A pleasure for Abraham’s legion of fans.



Finally, the bankers get a fantasy that doesn’t involve our pension funds.

Inaugurating a new series, prolific fantasy novelist Abraham (A Shadow in Summer, 2006, etc.) draws deeply from the treasure vault of genre conventions and tosses some aside. Almost all fantasy, Abraham has observed, derives from J.R.R. Tolkien and the faux-medieval-European worlds he created. This effort is something different, even approaching science fiction in its imaginative geography, and with a strange sort of anthropology to boot—one of the first people we meet, for instance, is an exemplar of “the thirteen races of humanity” and she has fearsome tusks to match her gigantic fingers, a sort of Tolkienesque dwarf in reverse. This ain’t your grandpa’s Tolkien, either, to judge by some of the dialogue: “Who the fuck are you?” asks a sailor, to which Strider—beg pardon, Marcus, his figurative cousin—replies, “The man telling you that’s enough.” It’s as if Clint Eastwood went to Narnia, which, come to think of it, isn’t a bad Hollywood pitch. But the setup isn’t quite as macho as all that, for in the gathering storm of Forces of Evil versus good guys, it’s a young girl, Cithrin the half-Cinnae, who’s entrusted with the secrets of the bank—and we’re not talking just any old double-entry bookkeeping either. But even the fattest wallet doesn’t stand up to a double-edged broadsword, and there things get interesting. All the makings of a standard fantasy are there: an improbable band battles seemingly insurmountable odds to save humankind and restore someone’s birthright, evil comes close to triumphing, the darkness descends and then... But Abraham avoids the excesses of formula, and if the back-and-forth is sometimes a little flat (“My Lord Issandrian forgets that this is not the first violence that your disagreements with House Kalliam have spawned”), the story moves along at a nice clip.

Will truth and justice prevail? Stay tuned. A pleasure for Abraham’s legion of fans.

Pub Date: April 7, 2011

ISBN: 978-0-316-08068-2

Page Count: 592

Publisher: Orbit/Little, Brown

Review Posted Online: April 4, 2011

Kirkus Reviews Issue: March 15, 2011

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If nothing else, you have to giggle over how this novel’s namesake, who held vicious white supremacist opinions, must be...


Some very nice, very smart African-Americans are plunged into netherworlds of malevolent sorcery in the waning days of Jim Crow—as if Jim Crow alone wasn’t enough of a curse to begin with.

In the northern U.S. of the mid-1950s, as depicted in this merrily macabre pastiche by Ruff (The Mirage, 2012, etc.), Driving While Black is an even more perilous proposition than it is now. Ask Atticus Turner, an African-American Korean War veteran and science-fiction buff, who is compelled to face an all-too-customary gauntlet of racist highway patrolmen and hostile white roadside hamlets en route from his South Side Chicago home to a remote Massachusetts village in search of his curmudgeonly father, Montrose, who was lured away by a young white “sharp dresser” driving a silver Cadillac with tinted windows. At least Atticus isn’t alone; his uncle George, who puts out annual editions of The Safe Negro Travel Guide, is splitting driving duties in his Packard station wagon “with inlaid birch trim and side paneling.” Also along for the ride is Atticus’ childhood friend Letitia Dandridge, another sci-fi fan, whose family lived in the same neighborhood as the Turners. It turns out this road trip is merely the beginning of a series of bizarre chimerical adventures ensnaring both the Turner and Dandridge clans in ancient rituals, arcane magical texts, alternate universes, and transmogrifying potions, all of which bears some resemblance to the supernatural visions of H.P. Lovecraft and other gothic dream makers of the past. Ruff’s ripping yarns often pile on contrivances and overextend the narratives in the grand manner of pulp storytelling, but the reinvented mythos here seems to have aroused in him a newfound empathy and engagement with his characters.

If nothing else, you have to giggle over how this novel’s namesake, who held vicious white supremacist opinions, must be doing triple axels in his grave at the way his imagination has been so impudently shaken and stirred.

Pub Date: Feb. 16, 2016

ISBN: 978-0-06-229206-3

Page Count: 432

Publisher: Harper/HarperCollins

Review Posted Online: Nov. 4, 2015

Kirkus Reviews Issue: Nov. 15, 2015

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An ambitious and bewitching gem of a book with mystery and passion inscribed on every page.

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A withdrawn graduate student embarks on an epic quest to restore balance to the world in this long-anticipated follow-up to The Night Circus (2011).

Zachary Ezra Rawlins is a typical millennial introvert; he likes video games, escapist reading, and drinking sidecars. But when he recognizes himself in the pages of a mysterious book from the university library, he's unnerved—and determined to uncover the truth. What begins as a journey for answers turns into something much bigger, and Zachary must decide whether to trust the handsome stranger he meets at a highflying literary fundraiser in New York or to retreat back to his thesis and forget the whole affair. In a high-wire feat of metatextual derring-do, Morgenstern weaves Zachary's adventure into a stunning array of linked fables, myths, and origin stories. There are pirates and weary travelers, painters who can see the future, lovers torn asunder, a menacing Owl King, and safe harbors for all the stories of the world, far below the Earth on the golden shores of a Starless Sea. Clocking in at more than 500 pages, the novel requires patience as Morgenstern puts all the pieces in place, but it is exquisitely pleasurable to watch the gears of this epic fantasy turn once they're set in motion. As in The Night Circus, Morgenstern is at her best when she imagines worlds and rooms and parties in vivid detail, right down to the ballroom stairs "festooned with lanterns and garlands of paper dipped in gold" or a cloak carved from ice with "ships and sailors and sea monsters...lost in the drifting snow." This novel is a love letter to readers as much as an invitation: Come and see how much magic is left in the world. Fans of Neil Gaiman and V.E. Schwab, Kelly Link and Susanna Clarke will want to heed the call.

An ambitious and bewitching gem of a book with mystery and passion inscribed on every page.

Pub Date: Nov. 5, 2019

ISBN: 978-0-385-54121-3

Page Count: 512

Publisher: Doubleday

Review Posted Online: Aug. 4, 2019

Kirkus Reviews Issue: Aug. 15, 2019

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