Ironically, this brief novel takes on too much: Cox knows his way around Polish fairy tales, soccer culture, Czeslaw...
A gay, parkour-loving pyromaniac takes a stand against Poland’s oppressive society.
Radek Tomaszewski, the narrator of the second novel by Cox (Shuck, 2008), is an artist with a peculiar specialty. He constructs scale models of major cities consumed by fires—Chicago circa the Great Fire of 1871, San Francisco after the 1906 earthquake—with the intent to burn them before gallery crowds. But with the help of Dorota, an art student, he learns to broaden his artistic and emotional horizons. Unified in their contempt for Polish homophobia, they perform stunts like using candles to spell out gay-positive slogans and participate in rallies supporting an apparently homosexual elephant at a zoo. Cox ups the absurdist quotient by making Radek an enthusiast for both Pink Floyd and parkour, a discipline that treats cities like obstacle courses. But aside from random character coloring, it’s not entirely clear how those enthusiasms serve the story; the novel’s brief chapters leap from one set piece to the next, hanging only to a thin thread of plot. That’s not a problem when particular passages are successful. One powerful, sensual chapter about a beach trip shows how difficult it is for gays to express themselves in public without fear. In another chapter, a gay doctor performs emergency surgery on an ailing Pope John Paul II (the novel is set shortly before his death in 2005), while pondering the Catholic Church’s homophobia—a scene that will gain added resonance in the book’s final pages. But such moments don’t compensate for the narrative’s lack of connective tissue, which might have made Radek and Dorota’s struggles feel less abstracted.
Ironically, this brief novel takes on too much: Cox knows his way around Polish fairy tales, soccer culture, Czeslaw Milosz’s poetry and life in Kraków, but his treatment of these is too glancing to have the intended emotional impact.Pub Date: Oct. 1, 2010
ISBN: 978-1-55152-372-9
Page Count: 176
Publisher: Arsenal Pulp Press
Review Posted Online: July 28, 2010
Kirkus Reviews Issue: Aug. 15, 2010
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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