A provocative, welcome contribution to ethnic studies and the literature of civil rights.
Illuminating investigation of the historical binaries of race in America.
Before American independence, writes freelance journalist Brook, places such as Charleston and New Orleans turned on the assumption that “in the New World there was precious little racial purity” and that naturally and inevitably, people who came from far-flung ethnic groups would meet and intermingle. After independence, however, that changed: The official appointed to govern New Orleans after the Louisiana Purchase, for instance, quietly instituted procedures to limit the rights of supposedly nonwhite citizens even if, as a later activist who pressed for the rights of all citizens no matter what their ethnic composition noted, “if you were not informed you would be sure to pick out the white for colored & the colored for white.” Free, mixed-race communities in those cosmopolitan cities had long flourished, even if they were anomalous elsewhere. It outraged nativists, notes the author, that immigrants from Europe who arrived in the 19th century treated everyone they encountered as equals. Yet this equality was fleeting. South Carolina Reconstruction-era congressman Joseph Hayne Rainey observed in a speech before the House that in Charleston he could enjoy public amenities while in Washington, he was denied “the same benefits that are accorded to our white colleagues on this floor.” Things would only get worse for Rainey and others now classified as black in the postwar binary of race through the mechanism of Jim Crow laws throughout the country. The very idea of “black” and “white,” Brook ably demonstrates, is the product of segregation: “It is only because mixed-race activists failed, despite their valiant efforts, to stop a regime of race-based rights that contemporary Americans view society through the racial blinders that we do.” In his fluent narrative, the author shows how much we have lost by denying the reality that "we are mestizos, Creoles, misfits all.”
A provocative, welcome contribution to ethnic studies and the literature of civil rights.Pub Date: June 18, 2019
ISBN: 978-0-393-24744-2
Page Count: 336
Publisher: Norton
Review Posted Online: March 30, 2019
Kirkus Reviews Issue: April 15, 2019
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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