A provocative, welcome contribution to ethnic studies and the literature of civil rights.

THE ACCIDENT OF COLOR

A STORY OF RACE IN RECONSTRUCTION

Illuminating investigation of the historical binaries of race in America.

Before American independence, writes freelance journalist Brook, places such as Charleston and New Orleans turned on the assumption that “in the New World there was precious little racial purity” and that naturally and inevitably, people who came from far-flung ethnic groups would meet and intermingle. After independence, however, that changed: The official appointed to govern New Orleans after the Louisiana Purchase, for instance, quietly instituted procedures to limit the rights of supposedly nonwhite citizens even if, as a later activist who pressed for the rights of all citizens no matter what their ethnic composition noted, “if you were not informed you would be sure to pick out the white for colored & the colored for white.” Free, mixed-race communities in those cosmopolitan cities had long flourished, even if they were anomalous elsewhere. It outraged nativists, notes the author, that immigrants from Europe who arrived in the 19th century treated everyone they encountered as equals. Yet this equality was fleeting. South Carolina Reconstruction-era congressman Joseph Hayne Rainey observed in a speech before the House that in Charleston he could enjoy public amenities while in Washington, he was denied “the same benefits that are accorded to our white colleagues on this floor.” Things would only get worse for Rainey and others now classified as black in the postwar binary of race through the mechanism of Jim Crow laws throughout the country. The very idea of “black” and “white,” Brook ably demonstrates, is the product of segregation: “It is only because mixed-race activists failed, despite their valiant efforts, to stop a regime of race-based rights that contemporary Americans view society through the racial blinders that we do.” In his fluent narrative, the author shows how much we have lost by denying the reality that "we are mestizos, Creoles, misfits all.”

A provocative, welcome contribution to ethnic studies and the literature of civil rights.

Pub Date: June 18, 2019

ISBN: 978-0-393-24744-2

Page Count: 336

Publisher: Norton

Review Posted Online: March 31, 2019

Kirkus Reviews Issue: April 15, 2019

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Not an easy read but an essential one.

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HOW TO BE AN ANTIRACIST

Title notwithstanding, this latest from the National Book Award–winning author is no guidebook to getting woke.

In fact, the word “woke” appears nowhere within its pages. Rather, it is a combination memoir and extension of Atlantic columnist Kendi’s towering Stamped From the Beginning (2016) that leads readers through a taxonomy of racist thought to anti-racist action. Never wavering from the thesis introduced in his previous book, that “racism is a powerful collection of racist policies that lead to racial inequity and are substantiated by racist ideas,” the author posits a seemingly simple binary: “Antiracism is a powerful collection of antiracist policies that lead to racial equity and are substantiated by antiracist ideas.” The author, founding director of American University’s Antiracist Research and Policy Center, chronicles how he grew from a childhood steeped in black liberation Christianity to his doctoral studies, identifying and dispelling the layers of racist thought under which he had operated. “Internalized racism,” he writes, “is the real Black on Black Crime.” Kendi methodically examines racism through numerous lenses: power, biology, ethnicity, body, culture, and so forth, all the way to the intersectional constructs of gender racism and queer racism (the only section of the book that feels rushed). Each chapter examines one facet of racism, the authorial camera alternately zooming in on an episode from Kendi’s life that exemplifies it—e.g., as a teen, he wore light-colored contact lenses, wanting “to be Black but…not…to look Black”—and then panning to the history that informs it (the antebellum hierarchy that valued light skin over dark). The author then reframes those received ideas with inexorable logic: “Either racist policy or Black inferiority explains why White people are wealthier, healthier, and more powerful than Black people today.” If Kendi is justifiably hard on America, he’s just as hard on himself. When he began college, “anti-Black racist ideas covered my freshman eyes like my orange contacts.” This unsparing honesty helps readers, both white and people of color, navigate this difficult intellectual territory.

Not an easy read but an essential one.

Pub Date: Aug. 13, 2019

ISBN: 978-0-525-50928-8

Page Count: 320

Publisher: One World/Random House

Review Posted Online: April 28, 2019

Kirkus Reviews Issue: May 15, 2019

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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