An enigmatic family tale with vigorous writing, colorful art, and unsettling atmospherics.
A family memorializing a dead father experiences weird happenings and bizarre cosmic visions in this graphic novel.
The story opens in 1956, with smokejumper Nathan Garrett fighting a wildfire in Montana’s Kootenai National Forest. Before he can say “cough…urk,” he and his squad are frozen in what looks like suspended animation. A year later, with Nathan pronounced dead and his body never recovered, his widow, Jolene, repairs to Kootenai’s Morning Star watchtower to sprinkle fake funerary ashes, taking along her teenage daughter, Marabeth, still angry at the world for depriving her of her dad, and young son, Charlie, who’s obsessed with SF adventures. Sleeping in the tower, Charlie has a vision of a spacefarer, complete with helmet and jet pack, who turns into Nathan. The next morning, Charlie has disappeared, leaving his toy ray gun behind, and the panicky Jolene and Marabeth split up to search for him in the woods, where they see strange visions. Marabeth’s visions include an aggressive squirrel, a purple buck deer that stands motionless on its hind legs, and a sinister forest ranger with reflective glasses who changes into a deer. Jolene has more disturbing visions of Charlie floating in the air, firefighters, Nathan, and her obstreperous sister. The apparitions say mysterious things like “Mooommmm…Help him…Help meeeee” and “Weeeee…R…Resp…onnnnsib…le”; Jolene finds them so upsetting that she starts hacking at them with an axe as they dissolve into thin air. Writers Andry and Daniel don’t put a lot of action into the story: Much of it is Marabeth and Jolene being baffled and traumatized by hallucinations until, toward the end, they miraculously resolve and impart lessons on fixing things, letting go, and working together. The scenarios and visuals have an effective, shadowy creepiness while characters’ entertainingly snarky voices leaven the lurid, psychedelic imagery. (“Great,” grouses Marabeth, “creepy moose lifting me up toward a huge floating ball of people.”) The graphics, by artist Finnegan, colorist Jason Wordie, and letterist Justin Birch, balance a throbbing orange-red-purple palette against somber blue-greens and sepia; the compositions feature oddball Mannerist perspectives, eclectic motifs from Lost in Space and the Sistine Chapel, and unstable figures that are constantly disintegrating into confetti. The storytelling lags, but there’s plenty of mood and style here to compensate.
An enigmatic family tale with vigorous writing, colorful art, and unsettling atmospherics.Pub Date: Oct. 29, 2024
ISBN: 9781960578761
Page Count: 128
Publisher: Mad Cave Studios
Review Posted Online: Oct. 9, 2024
Kirkus Reviews Issue: Dec. 1, 2024
Review Program: Kirkus Indie
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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