An enigmatic family tale with vigorous writing, colorful art, and unsettling atmospherics.
A family memorializing a dead father experiences weird happenings and bizarre cosmic visions in this graphic novel.
The story opens in 1956, with smokejumper Nathan Garrett fighting a wildfire in Montana’s Kootenai National Forest. Before he can say “cough…urk,” he and his squad are frozen in what looks like suspended animation. A year later, with Nathan pronounced dead and his body never recovered, his widow, Jolene, repairs to Kootenai’s Morning Star watchtower to sprinkle fake funerary ashes, taking along her teenage daughter, Marabeth, still angry at the world for depriving her of her dad, and young son, Charlie, who’s obsessed with SF adventures. Sleeping in the tower, Charlie has a vision of a spacefarer, complete with helmet and jet pack, who turns into Nathan. The next morning, Charlie has disappeared, leaving his toy ray gun behind, and the panicky Jolene and Marabeth split up to search for him in the woods, where they see strange visions. Marabeth’s visions include an aggressive squirrel, a purple buck deer that stands motionless on its hind legs, and a sinister forest ranger with reflective glasses who changes into a deer. Jolene has more disturbing visions of Charlie floating in the air, firefighters, Nathan, and her obstreperous sister. The apparitions say mysterious things like “Mooommmm…Help him…Help meeeee” and “Weeeee…R…Resp…onnnnsib…le”; Jolene finds them so upsetting that she starts hacking at them with an axe as they dissolve into thin air. Writers Andry and Daniel don’t put a lot of action into the story: Much of it is Marabeth and Jolene being baffled and traumatized by hallucinations until, toward the end, they miraculously resolve and impart lessons on fixing things, letting go, and working together. The scenarios and visuals have an effective, shadowy creepiness while characters’ entertainingly snarky voices leaven the lurid, psychedelic imagery. (“Great,” grouses Marabeth, “creepy moose lifting me up toward a huge floating ball of people.”) The graphics, by artist Finnegan, colorist Jason Wordie, and letterist Justin Birch, balance a throbbing orange-red-purple palette against somber blue-greens and sepia; the compositions feature oddball Mannerist perspectives, eclectic motifs from Lost in Space and the Sistine Chapel, and unstable figures that are constantly disintegrating into confetti. The storytelling lags, but there’s plenty of mood and style here to compensate.
An enigmatic family tale with vigorous writing, colorful art, and unsettling atmospherics.Pub Date: Oct. 29, 2024
ISBN: 9781960578761
Page Count: 128
Publisher: Mad Cave Studios
Review Posted Online: Oct. 9, 2024
Kirkus Reviews Issue: Dec. 1, 2024
Review Program: Kirkus Indie
BOOK REVIEW
Sharp writing, vivid characters, and puzzle box plotting bring the trilogy to a ringing conclusion.
A dark fantasy set on the Yale campus ends with a bang.
Galaxy “Alex” Stern of Lethe House, one of Yale’s storied secret societies, has been to hell and back. That was in Hell Bent (2023), the middle book in Bardugo’s Ninth House trilogy, where the secret societies wield not just temporal power but magic as well. Hell Bent ended with Alex and her friends rescuing her crush, mentor, and fellow Lethe officer, Daniel “Darlington” Arlington V, from eternal torment. One small wrinkle: The demon Golgarot used Alex’s blood to wedge a door open between Hell and New Haven, and his minions are slipping through. Also, one of the group has turned into a vampire, and Darlington is now half demon. “He’d given up some part of himself to preserve the rest of his human soul. He’d become both prisoner and warden.” As the final book opens, the exhausted crew are hunting yet another monster. They can’t keep this up forever; they will have to find a way to close the portal. Alex has the energetic, driven melancholy of the hard-boiled, dark fantasy heroine she is. She believes “magic is real, but safe is make-believe,” as her roommate puts it. An open hellmouth, a supportive scholar, a vampire whose story arcs precariously toward redemption, a gentleman fiend who gets literally horny when aroused, a California girl with rare supernatural powers who cracks wise as she fights fiends—the series has a lot in common with Buffy the Vampire Slayer and its spawn, but Bardugo’s way with words and her keen social observation keep the book from feeling derivative. A demon’s classic New England house is decorated with “ruthlessly inoffensive watercolor seascapes”; Lethe’s board president “wore the new uniform of Wall Street: a dress shirt, khakis, and a fleece with a Yale Y embroidered over the heart, as if he were on his way to a hostile takeover followed by some light rock climbing.” Will Alex and her friends get the door shut without losing Darlington? Bardugo injects her protagonist with such a convincing mix of cynicism and hope that failure seems like a distinct possibility.
Sharp writing, vivid characters, and puzzle box plotting bring the trilogy to a ringing conclusion.Pub Date: Sept. 15, 2026
ISBN: 9781250884312
Page Count: 496
Publisher: Flatiron Books
Review Posted Online: Sept. 15, 2026
Kirkus Reviews Issue: Nov. 1, 2026
The queen of social activist novels has done it again. Impressive, important, and fun to read.
The World Trade Center attacks are at the center of an intricate, twisty family drama spanning decades in both directions.
“You could brace for your sister to die of a terminal illness, only to have your healthy sibling killed in a random car wreck. You could carry a baby safely to term and then, on a bright blue day in September, walk into a building that collapsed beneath your feet.” Or you could be a character in a Jodi Picoult novel and face all of the above and much, much more. Fans of My Sister’s Keeper (2004) will notice a reference to that novel in the preceding quote and be glad to hear a character from that book is back. During the Covid-19 pandemic, former teenage delinquent Jesse Fitzgerald, now a detective on the Providence, Rhode Island, police force, meets Molly Ambrose, a 19-year-old prodigy who runs the state’s emergency preparedness and response program. “Despite the fact that there were fifteen years between us and we both had enough baggage to fill a cargo hold,” as Molly puts it, the two fall madly in love. The baggage she’s referring to includes, on her side, a mother who died on 9/11 when Molly was less than three months old. Picoult supplies her signature delightful banter and gift for depicting passion and romance to win the reader’s sympathy for this possibly questionable match between dedicated public servants, whose favorite game at bedtime is “Who can think of the most terrifying worst-case scenario?” Very little more can be revealed without spoilers, but trigger warnings for this book would be a long list indeed, ranging from suicide and filicide to rape and mental illness (welcome to Picoultland!). Subplots visit evangelical and Navajo cultures as well as the ins and outs of polygraphy. Make sure to read the afterword in which Picoult explains her real-life sources of inspiration.
The queen of social activist novels has done it again. Impressive, important, and fun to read.Pub Date: Sept. 15, 2026
ISBN: 9780593726259
Page Count: 464
Publisher: Ballantine
Review Posted Online: June 15, 2026
Kirkus Reviews Issue: July 15, 2026
SEEN & HEARD
PERSPECTIVES
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