Big-hearted, pleasingly fitful narrative of the kind of journey that scours the soul of its karmic gunk. (Photos)
In the wake of death and divorce, Newsweek writer Glick and his two children take to the road.
This strategy had served the author well in previous times of transition, “as an entrée into a reflective trance, as a tool of personal reinvention, as literal and metaphorical escape.” When his brother dies of cancer one year after his marriage ends, a trip around the world again seems like a good idea. Nine-year-old Zoe and thirteen-year-old Kolya encounter Indonesia and Nepal, Cambodia and Vietnam, pythons and pit vipers, with an aplomb many adults would envy. Their diary entries, included in Dad’s text, show Kolya declaring, “We are barfeet in rhino shit,” and Zoe ordering her companions to “get this slimy bloodsucking viper off me.” Glick (Powder Burn, not reviewed) also intends their trip to serve as an exploration of the wild places that soothe his spiritual core, the kind of landscapes that may soon disappear under one onslaught or another along with the priceless animals they harbor. And so, in the easy voice he uses throughout, he talks to the kids about island populations, starfish scourges, and endangered creatures; he also tries to deliver history lessons to give them perspective and help to make understandable events like 9/11, which happens while they are in Cambodia. This is a very human story, balancing the local color with stories about Glick’s deceased brother, the grief that trailed when the children's mother left them, and the resulting sea change in Glick as he grapples with Kolya’s newborn interest in drugs and Zoe’s first yeast infection. It’s a fine and mordant account of experiencing things before they melt into air, stitching the remnants of a family’s old lives into a whole new cloth.
Big-hearted, pleasingly fitful narrative of the kind of journey that scours the soul of its karmic gunk. (Photos)Pub Date: June 1, 2003
ISBN: 1-58648-154-1
Page Count: 368
Publisher: PublicAffairs
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2003
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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