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ADVERBS

Experimental fiction is rarely this emotionally engaging.

The author of the popular Lemony Snicket series of children’s books puts a playful spin on adult themes of love and lust, showing a narrative ingenuity that should delight readers interested in exploring the possibilities of fiction.

The third non-Lemony book from Handler (after Watch Your Mouth, 2000) finds him challenging conventional categories. This initially appears to be a selection of short stories, even parables, with each of the 16 taking a different adverb as its title (“Immediately,” “Arguably,” “Symbolically” and, as a change of pace, “Often”). Teachers generally instruct fledgling writers to eliminate adverbs whenever possible (only passive verbs suffer from greater linguistic disrepute), yet Handler makes his strategy succeed, frequently putting the titular adverb at the service of a broader theme. In “Obviously,” he examines the essence of “kissassedness.” “Briefly” is the briefest piece here, and includes the pivotal appearance of a boy’s briefs. “Soundly” culminates in a boat ferrying across a sound. And so on. Yet in almost subliminal fashion, the author encourages the reader to make connections between the stories, with the repetition of recurring motifs involving magpies and money, plot lines that seem to leapfrog from pieces at the beginning to ones toward the end and the reappearance of characters (who may actually be different characters with the same name). Even the narrative “I” is suspect—sometimes a man, sometimes a woman. Some might find the key to the narrative strategy in “Truly,” which the author characterizes as an “essay” and in which he purports to drop the fictional pretense in favor of straightforward autobiography and explanation of authorial intent. Or is this just another twist of the metafictional maze? Whether one approaches this as a novel (in the loosest sense) or a series of somehow connected stories, Handler’s prose is warm, funny, smart and addictively readable. It might even send some adult readers to Lemony Snicket to see what they’ve been missing.

Experimental fiction is rarely this emotionally engaging.

Pub Date: May 1, 2006

ISBN: 0-06-072441-2

Page Count: 288

Publisher: Ecco/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 2006

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ONE DAY IN DECEMBER

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...

True love flares between two people, but they find that circumstances always impede it.

On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.

Pub Date: Oct. 16, 2018

ISBN: 978-0-525-57468-2

Page Count: 400

Publisher: Crown

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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HOMEPORT

To her usual mix of love, mystery, and passion, Roberts (Sanctuary, 1997, etc.)—author of 115 romancers in some 17 years—adds Renaissance art and a decidedly Medici-like family: the Joneses of Maine. Dr. Miranda Jones, nearly six feet with flaming red hair and a glacial reserve, is an archeometrist who specializes in the analyzing and dating of Renaissance bronze sculpture. Miranda hopes to secure a world-class reputation for herself by authenticating a 15th-century statue of the Dark Lady, one of the mistresses of Lorenzo the Magnificent, as the undiscovered work of a young Michelangelo. Miranda's mother, Dr. Elizabeth Standford-Jones, the emotionally remote director of the Standjo art lab in Florence, has summoned her daughter from the family's Victorian cliffside home in Jones Point, Maine, to test the statue. Meanwhile, Miranda's father, equally remote, is an archaeologist who spends more time at his digs than at home. In fact, no one in the Jones family has made a successful run at marriage, a failure that Miranda and her alcoholic brother Andrew call the Jones curse. As for the statue, when it's discovered to be a fake, Miranda sets out to prove that someone stole the original. In this she's helped by gorgeous art thief Ryan Boldari (half-Italian, half-Irish), who's come to Jones Point to steal yet another bronze, which also turns out to be a forgery. Ryan's plan had been to use Miranda as a pawn, but now, naturally, he finds himself falling hard for her. While the two search for bronzes, a standard-issue romance-novel psychotic is stalking them. Most readers will twig to the killer's identity: Here, as always, Roberts's sexual tension is more compelling than her suspense. Perhaps it's time to take a sabbatical from the pink sweatshop and turn her considerable wit and narrative skills to a more original piece of work.

Pub Date: March 23, 1998

ISBN: 0-399-14387-4

Page Count: 464

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 1998

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