A fine companion to Laura Hillenbrand’s Unbroken (2014), also about the 1936 Olympics and also adapted for young readers.

READ REVIEW

THE BOYS IN THE BOAT

THE TRUE STORY OF AN AMERICAN TEAM'S EPIC JOURNEY TO WIN GOLD AT THE 1936 OLYMPICS

Adapting Brown’s bestselling work of the same title (2013), Mone streamlines the true story of nine young men from the University of Washington who, against all odds, won the gold medal in rowing at the 1936 Olympics.

The Husky Clipper was “a graceful needle of cedar and spruce,” a racing shell manned by an eight-oar crew very different from their Ivy League counterparts. They were the sons of farmers, loggers, and fishermen, hardy young men fully up to the rigors of training, each committed “to being part of something larger and more powerful and more important than himself.” Against the backdrop of the Great Depression and the rise of Nazi Germany, the inspiring tale of young Joe Rantz and his teammates is also about the many people who helped to make them heroes—the coaches, parents, fundraisers, girlfriends, and boat builders. Offering a model of masterful nonfiction writing, Brown expertly balances the leisurely pacing of the protagonists’ back stories with the exciting race scenes, related with concrete nouns, lively verbs, and short sentences, selected and adapted for this edition by Mone. Many photographs, an easy-to-read timeline, and notes on “The Art of Rowing,” complete with a diagram, add visual appeal.

A fine companion to Laura Hillenbrand’s Unbroken (2014), also about the 1936 Olympics and also adapted for young readers. (Nonfiction. 10-14)

Pub Date: Sept. 8, 2015

ISBN: 978-0-4514-7592-3

Page Count: 240

Publisher: Viking

Review Posted Online: June 10, 2015

Kirkus Reviews Issue: July 1, 2015

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Despite its not insignificant flaws, this book provides insights into the lives of important women, many of whom have...

SHE DID IT!

21 WOMEN WHO CHANGED THE WAY WE THINK

Caldecott Medalist McCully delves into the lives of extraordinary American women.

Beginning with the subject of her earlier biography Ida M. Tarbell (2014), McCully uses a chronological (by birth year) structure to organize her diverse array of subjects, each of whom is allotted approximately 10 pages. Lovely design enhances the text with a full-color portrait of each woman and small additional illustrations in the author/illustrator’s traditional style, plenty of white space, and spare use of dynamic colors. This survey provides greater depth than most, but even so, some topics go troublingly uncontextualized to the point of reinforcing stereotype: “In slavery, Black women had been punished for trying to improve their appearance. Now that they were free, many cared a great deal about grooming”; “President Roosevelt ordered all Japanese Americans on the West Coast to report to internment camps to keep them from providing aid to the enemy Japanese forces.” Of the 21 surveyed, one Japanese-American woman (Patsy Mink) is highlighted, as are one Latinx woman (Dolores Huerta), one Mohegan woman (Gladys Tantaquidgeon), three black women (Madam C.J. Walker, Ella Baker, and Shirley Chisholm), four out queer white women (Billie Jean King, Barbara Gittings, Jane Addams, and Isadora Duncan; the latter two’s sexualities are not discussed), two Jewish women (Gertrude Berg and Vera Rubin), and three women with known disabilities (Addams, Dorothea Lange, and Temple Grandin).

Despite its not insignificant flaws, this book provides insights into the lives of important women, many of whom have otherwise yet to be featured in nonfiction for young readers. (sources) (Collective biography. 10-14)

Pub Date: Nov. 6, 2018

ISBN: 978-1-368-01991-0

Page Count: 272

Publisher: Disney-Hyperion

Review Posted Online: Sept. 30, 2018

Kirkus Reviews Issue: Oct. 15, 2018

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The car gets shortchanged, but comparing the divergent career paths of its (putative) two riders may give readers food for...

TWO MEN AND A CAR

FRANKLIN ROOSEVELT, AL CAPONE, AND A CADILLAC V-8

A custom-built, bulletproof limo links two historical figures who were pre-eminent in more or less different spheres.

Garland admits that a claim that FDR was driven to Congress to deliver his “Day of Infamy” speech in a car that once belonged to Capone rests on shaky evidence. He nonetheless uses the anecdote as a launchpad for twin portraits of contemporaries who occupy unique niches in this country’s history but had little in common. Both were smart, ambitious New Yorkers and were young when their fathers died, but they definitely “headed in opposite directions.” As he fills his biographical sketches with standard-issue facts and has disappointingly little to say about the car itself (which was commissioned by Capone in 1928 and still survives), this outing seems largely intended to be a vehicle for the dark, heavy illustrations. These are done in muted hues with densely scratched surfaces and angled so that the two men, the period backgrounds against which they are posed, and the car have monumental looks. It’s a reach to bill this, as the author does, a “story about America,” but it does at least offer a study in contrasts featuring two of America’s most renowned citizens. Most of the human figures are white in the art, but some group scenes include a few with darker skin.

The car gets shortchanged, but comparing the divergent career paths of its (putative) two riders may give readers food for thought. (timeline, bibliography) (Picture book/biography. 10-12)

Pub Date: March 12, 2019

ISBN: 978-0-88448-620-6

Page Count: 64

Publisher: Tilbury House

Review Posted Online: Jan. 15, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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