A touching, fairly uncomplicated portrayal of rowing legends.
The long, passionate journey of the University of Washington rowing team to the 1936 Berlin Olympics.
The nine young Americans (including coxswain Bob Moch) who made up the team in the Husky Clipper that would eventually edge to victory by six-tenths of a second ahead of the Italians in the Olympics emerged from the harsh realities of the Depression, as Brown (The Indifferent Stars Above: The Harrowing Saga of a Donner Party Bride, 2009, etc.) delineates in this thorough study of the early rowing scene. The journey of one young rower, Joe Rantz, forms the emotional center of the narrative. A tall, strapping country boy who had largely been fending for himself in Sequim, Wash., in 1933, he got a shot as a freshman at making the prestigious crew team at UW, which was led by freshman coach Tom Bolles and head coach Al Ulbrickson. Many strands converge in the narrative, culminating in a rich work of research, from the back story involving the creation of UW’s rowing program to the massive planning and implementation of the Berlin Olympics by Hitler’s engineer Werner March, specifically the crew venue at the Langer See. The UW team honed its power and finesse in the lead-up seasons by racing against its nemesis, the University of California at Berkeley, as well as in East Coast regattas. Despite the threat of an American boycott, the Berlin Olympics were carefully orchestrated by propaganda minister Joseph Goebbels and filmed by Leni Riefenstahl to show the world the terrifying images of Aryan “purity” and Nazi supremacy. Yet for these American boys, it was an amazing dream.
A touching, fairly uncomplicated portrayal of rowing legends.Pub Date: June 4, 2013
ISBN: 978-0-670-02581-7
Page Count: 432
Publisher: Viking
Review Posted Online: March 16, 2013
Kirkus Reviews Issue: April 1, 2013
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
At this rate, Tyson may write a multivolume memoir as he continues to struggle and survive.
An exhaustive—and exhausting—chronicle of the champ's boxing career and disastrous life.
Tyson was dealt an unforgiving hand as a child, raised in the Brownsville section of Brooklyn in a "horrific, tough and gruesome" environment populated by "loud, aggressive" people who "smelled like raw sewage.” A first-grade dropout with several break-ins under his belt by age 7, his formal education resumed when he was placed in juvenile detention at age 11, but the lesson he learned at home was to do absolutely anything to survive. Two years later, his career path was set when he met legendary boxing trainer Cus D'Amato. However, Tyson’s temperament never changed; if anything, it hardened when he took on the persona of Iron Mike, a merciless and savage fighter who became undisputed heavyweight champion of the world. By his own admission, he was an "arrogant sociopath" in and out of the ring, and he never reconciled his thuggish childhood with his adult self—nor did he try. He still partied with pimps, drug addicts and hustlers, and he was determined to feed all of his vices and fuel several drug addictions at the cost of his freedom (he recounts his well-documented incarcerations), sanity and children. Yet throughout this time, he remained a voracious reader, and he compares himself to Clovis and Charlemagne and references Camus, Sartre, Mao Zedong and Nietzsche's "Overman" in casual conversation. Tyson is a slumdog philosopher whose insatiable appetites have ruined his life many times over. He remains self-loathing and pitiable, and his tone throughout the book is sardonic, exasperated and indignant, his language consistently crude. The book, co-authored by Sloman (co-author: Makeup to Breakup: My Life In and Out of Kiss, 2012, etc.), reads like his journal; he updated it after reading the galleys and added "A Postscript to the Epilogue" as well.
At this rate, Tyson may write a multivolume memoir as he continues to struggle and survive.Pub Date: Nov. 12, 2013
ISBN: 978-0-399-16128-5
Page Count: 592
Publisher: Blue Rider Press
Review Posted Online: Nov. 23, 2013
Kirkus Reviews Issue: Dec. 15, 2013
BOOK REVIEW
PROFILES
While the author may attempt to mirror this ideal, the result is less than satisfying and more than a little irritating.
A disjointed debut memoir about how competitive swimming shaped the personal and artistic sensibilities of a respected illustrator.
Through a series of vignettes, paintings and photographs that often have no sequential relationship to each other, Shapton (The Native Trees of Canada, 2010, etc.) depicts her intense relationship to all aspects of swimming: pools, water, races and even bathing suits. The author trained competitively throughout her adolescence, yet however much she loved racing, “the idea of fastest, of number one, of the Olympics, didn’t motivate me.” In 1988 and again in 1992, she qualified for the Olympic trials but never went further. Soon afterward, Shapton gave up competition, but she never quite ended her relationship to swimming. Almost 20 years later, she writes, “I dream about swimming at least three nights a week.” Her recollections are equally saturated with stories that somehow involve the act of swimming. When she speaks of her family, it is less in terms of who they are as individuals and more in context of how they were involved in her life as a competitive swimmer. When she describes her adult life—which she often reveals in disconnected fragments—it is in ways that sometimes seem totally random. If she remembers the day before her wedding, for example, it is because she couldn't find a bathing suit to wear in her hotel pool. Her watery obsession also defines her view of her chosen profession, art. At one point, Shapton recalls a documentary about Olympian Michael Phelps and draws the parallel that art, like great athleticism, is as “serene in aspect” as it is “incomprehensible.”
While the author may attempt to mirror this ideal, the result is less than satisfying and more than a little irritating.Pub Date: July 5, 2012
ISBN: 978-0-399-15817-9
Page Count: 288
Publisher: Blue Rider Press
Review Posted Online: May 6, 2012
Kirkus Reviews Issue: May 15, 2012
BOOK REVIEW
BOOK REVIEW
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