Stiff and stylized in the polished deco-style paintings, Angelo looks like a mannequin as he goes about pumping gas at Lucky's all-night garage, circa 1939. As his shift progresses, Angelo serves a foxy lady biker who outlines her mouth ``with the brightest red lipstick Angelo has ever seen,'' an opera-singing Italian papa and his five children, and a bus full of cranky musicians. A bride and groom in a leaky convertible sit out a sudden storm (``some honeymoon''), and a fashionable drunk in ``top hat and tails as rumpled/as an unmade bed'' mooches a nickel for the candy machine. The jazzy design and bold, shiny artwork command more attention than the story; the string of unrelated incidents will recall old movies and other sources of nostalgia for adults but may not satisfy young children. (Picture book. 5-7)
Pub Date: Sept. 1, 1996
ISBN: 0-7868-0200-6
Page Count: 32
Publisher: Hyperion
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1996
Part of a spate of books intent on bringing the garbage collectors in children’s lives a little closer, this almost matches...
Listeners will quickly take up the percussive chorus—“Dump it in, smash it down, drive around the Trashy town! Is the trash truck full yet? NO”—as they follow burly Mr. Gilly, the garbage collector, on his rounds from park to pizza parlor and beyond.
Flinging cans and baskets around with ease, Mr. Gilly dances happily through streetscapes depicted with loud colors and large, blocky shapes; after a climactic visit to the dump, he roars home for a sudsy bath.
Part of a spate of books intent on bringing the garbage collectors in children’s lives a little closer, this almost matches Eve Merriam’s Bam Bam Bam (1995), also illustrated by Yaccarino, for sheer verbal and visual volume. (Picture book. 5-7)Pub Date: April 30, 1999
ISBN: 0-06-027139-6
Page Count: 32
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1999
With a tiger at the wheel, the big purple bus rolls all over town, picking up a menagerie of passengers from sheep (“BAAAH, BAAAH, BAAAH”) to vipers—get it? — (“HISS, HISS, HISS”) to skunks (“SSSS, SSSS, SSSS”) before disgorging its dismayed human riders (“HELP! HELP! HELP!”) at an outdoor party. Though wild creatures waddle, tramp, or slither aboard by troops there's always room for more in Karas’s (Raising Sweetness, 1999, etc.) gleeful paint-and-paper collage scenes. The scene on the bus is bound to provoke a great reaction and reading (or honking) along is inevitable. It's a frolicsome spin on the familiar play rhyme, and a surefire alternative or follow-up to Maryann Kovalski's Wheels on the Bus (1987) or Paul Zelinsky's classic popup version (1990). Hop onboard. (Picture book. 5-7)
Pub Date: April 1, 2000
ISBN: 0-8050-5952-0
Page Count: 32
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2000
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