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AN EPIDEMIC OF EPIGRAMS

OR AN AVALANCHE OF APHORISMS

Though it doesn’t live up to its influences, this collection loves the form and offers plenty of wit and humorous...

A compilation of laconic, pithy sayings meant partly to guide daily life and partly as a tribute to the rich tradition of literary aphorisms.

In an era of 140-character tweets, Wick (The Devil's Tale, 2006) revisits Twitter’s intellectual predecessor—the epigram, and its close sibling, the aphorism—in a series of sometimes surprising, often thought-provoking, but always brief satirical statements and philosophies for everyday living. With an obvious enthusiasm for language and its history, the author introduces the quasi-restrictive form and its notable fans and pioneers, from the ancient Greeks to William Shakespeare to Samuel Johnson, even proposing that Jesus Christ’s most famous quotations had in them the spirit of epigrams, combining observations and wit to subvert and challenge conventional thinking. In this vein, Wick presents his own aphorisms, encouraging readers to take them at their leisure and in no particular order. The bits share no overarching theme, though they revisit several subjects, railing against vague social and moral restrictions and offering some commentary on the way society engages with faith and religion. All are offered without context (as all good aphorisms should be), but the collection has a derisive tone that appears early and obviously—“If you see a blind beggar kick him. Why should you be kinder than God?”—and saturates the work. However, though cynical, none of the entries fall back on the ease of sarcasm, always shooting for insight or irreverence, sometimes achieving both. And while aphorisms and epigrams often aim to promote different ways of thinking, entertainment seems to be the book’s primary goal, as it regularly goes for easy laughs with simple puns and malapropisms and boasts comical “reviewer comments” on the cover from figures such as Mark Twain, Oscar Wilde and Apollonius of Tyana. The use of such names is no accident, of course, since the text knows its influences and pays respect to each.

Though it doesn’t live up to its influences, this collection loves the form and offers plenty of wit and humorous observations.

Pub Date: Sept. 17, 2013

ISBN: 978-1484051719

Page Count: 162

Publisher: CreateSpace

Review Posted Online: Nov. 29, 2013

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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