A straightforward take on inherited privilege and hardship.
Ambition is risky business.
Against the backdrop of the 2016 election, as Alistair McCabe prepares to flee mysterious and dire circumstances—along with his education at NYU, where he’s a senior, and a promising finance career—he fields a surprise call from his mother, Maura. Reluctant to tell her that he’s about to disappear, he lies and says he’s on his way to a class called “Futures and Options.” Readers might groan at the double entendre, but it makes a point: In this novel, the personal, often bodily drama of coming-of-age is inextricable from the inhuman forces of capital. We also follow Mark Landmesser and Elijah Pasternak, two unmotivated artists whose relationship sours as Mark’s trust fund dries up. A prolonged affair with the two of them catapults Alistair—whose successes at school and in sex have not yielded success in navigating the networking-fest of corporate finance—into a lucrative but clandestine arrangement with a disgraced financier and a reclusive billionaire. The story’s alternating timelines recount Alistair’s entanglement in and disentanglement from Mark and Elijah and this scheme—his arrival in New York and his escape. Lefferts also flashes back to Alistair’s childhood, when, despite his mother’s humanistic ideals, borderline poverty taught him to covet money, comfort, and the power to free her from debt. In college, Alistair’s ambition takes on a carnal quality. As he gropes toward upward mobility, he often recounts sexual exploits, spending sprees, and academic triumphs in a single breath. Luxury goods become “commercial iterations of the flesh,” money “almost sexual in the way it [lights] up his brain’s pleasure center.” As sex and political struggle swirl together, Alistair realizes that all “his chasing of money…amounted to one great thrusting out and forth.” Although Lefferts’ storytelling can land a bit on the nose, the underlying character drama is compelling.
A straightforward take on inherited privilege and hardship.Pub Date: Feb. 6, 2024
ISBN: 9781419768194
Page Count: 400
Publisher: Overlook
Review Posted Online: Oct. 21, 2023
Kirkus Reviews Issue: Nov. 15, 2023
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
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