by Daniel Patrick Brown ‧ RELEASE DATE: March 19, 2019
A comprehensive look at the U.S.-Germany relationship that enhances readers’ understanding of World War II.
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A history book explores the ties between Germany and the United States before, during, and after World War II.
In this work, Brown (The Legacies, 2018, etc.) delivers a minutely documented overview of the many connections between Americans and Germans during and after the Nazi regime’s time in power. The volume covers technological innovations with impacts on the two countries, prominent Americans like Charles Lindbergh and Joseph Kennedy who forged personal links with Germany, and the many multinational corporations that operated and had financial interests in both nations, from I.G. Farben and Allianz to Alcoa and Eastman-Kodak. The business and financial associations make up much of the narrative, with the author skillfully explaining not only how they operated across national borders, but also why (“The second reason American businesses began to invest more in the Third Reich occurred on July 5, 1935 when President Roosevelt signed the Wagner Act into law”). The book provides a high-level overview of the many individuals and companies involved and details noteworthy or unusual cases, like IBM’s lengthy appeals to a U.S. commission for compensation for its Third Reich facilities. Brown also includes many of the war crimes trials, the Cold War-driven relocation of German officials to America, and the decadeslong effort to restore property confiscated from Jews in Germany and the occupied countries, presenting readers with a clear picture of how entangled the two nations were despite being on opposite sides of a global conflict. The book is thoroughly researched (back matter, including substantial endnotes that both supply citations and allow Brown to digress on topics that do not fit into the main narrative, takes up about a quarter of the pages) and evenhanded. The volume sticks to documented facts, telling an often troubling story without histrionics (“One cannot justify the American thefts for any reason, but one can also understand, maybe even identify with, how otherwise upstanding and honorable American servicemen could have a little sense of entitlement and, in turn, steal from the people who supported, or chose to be unaware of, the monstrous crimes committed against so many innocent people”). The writing is solid, and the author does a good job of analysis, highlighting the conclusions of previous works on the subject (“Michael Bazyler points out that the American jurisprudence system served as the conduit in helping Holocaust survivors to receive compensation”; Erik Larsen’s In the Garden of Beasts “provides an intimate, but chilling examination of just how troublesome life was for” William Dodd (the American ambassador to Germany from 1933 to 1937) and drawing connections for his readers. The book is particularly effective in explaining the combined efforts necessary to obtain some level of compensation for Holocaust survivors, with threats of divestment and pleas of moral suasion balancing lawsuits. Thanks to the work’s voluminous range, both World War II aficionados and those who have only a passing familiarity with the topic should find the text easy to follow and filled with noteworthy information.
A comprehensive look at the U.S.-Germany relationship that enhances readers’ understanding of World War II.Pub Date: March 19, 2019
ISBN: 978-1-73210-883-7
Page Count: 402
Publisher: Albrecht
Review Posted Online: June 24, 2019
Review Program: Kirkus Indie
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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