BEAR’S PICTURE

Pinkwater’s terse 1972 tale of an ursine painter who stoutly defends his right to create against the sneers of two critics (“fine, proper gentlemen,” as the text has it) gets a major visual boost from new illustrations in this reissue. The text has been very slightly massaged, and big cubist scenes replace the author’s original small, almost minimalist paintings. Now the bear (wearing an increasingly spattered scarf) and his exaggeratedly dapper tormentors appear in grayscale around a bright semi-abstract canvas that develops, as pages turn, from a hazy smudge of blues and oranges into a lyrical evocation of leaves and water around a cozy hollow log. At the end, the text states only that the two critics leave muttering “Bears are not the sort of fellows to paint pictures,” but Johnson depicts them sinking into the picture’s stream until only their hats are left as part of the composition—a harsher but perhaps more just judgment on their prejudices. Bear makes a grand champion for all young artists, and it wouldn’t hurt for certain grown-ups to hear his message, either. (Picture book. 5-8, adult)

Pub Date: April 21, 2008

ISBN: 978-0-618-75923-1

Page Count: 32

Publisher: Houghton Mifflin

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 15, 2008

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THE WONKY DONKEY

The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 29, 2018

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JOHN PHILIP DUCK

Edward and his father work for the Peabody Hotel in Memphis since the Depression has brought hard times for so many. On weekends they return to their farm in the hills and it’s there Edward finds John Philip Duck, named for the composer whose marches Edward listens to on the radio. Edward has to look after the scrawny duckling during the week, so he risks the ire of the hotel manager by taking John Philip with him. The expected occurs when Mr. Shutt finds the duckling. The blustery manager makes Edward a deal. If Edward can train John Philip to swim in the hotel fountain all day (and lure in more customers), Edward and the duck can stay. After much hard work, John Philip learns to stay put and Edward becomes the first Duck Master at the hotel. This half-imagined story of the first of the famous Peabody Hotel ducks is one of Polacco’s most charming efforts to date. Her signature illustrations are a bit brighter and full of the music of the march. An excellent read aloud for older crowds, but the ever-so-slightly anthropomorphic ducks will come across best shared one-on-one. (Picture book. 5-8)

Pub Date: June 1, 2004

ISBN: 0-399-24262-7

Page Count: 40

Publisher: Philomel

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: May 1, 2004

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