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DAPPER DAN

MADE IN HARLEM: A MEMOIR

A dynamic version of the mythic American dream.

After nearly three decades of shaping much of what we know of as “street style,” Harlem-born Day, aka Dapper Dan, tells his life story in an engaging prose style.

From growing up hungry in the 1940s and ’50s (“nothing makes you question the purpose and meaning of life like hunger”) to being a master dice gambler to opening (and subsequently closing) his own clothing boutique, the author chronicles his own story as well as that of the changing societal landscape of Harlem. Day’s parents had moved from “tight-knit rural communities in the South where everyone knew each other” to black Harlem, where families “did their best to re-create those communities.” There was little crime and decent education in the public schools, but as Day grew older, the allure of the streets became more important than an education. The author quit high school as the neighborhood was becoming increasingly violent and fragmented due to new housing projects and the rise of heroin and crack, and he took up gambling as his primary hustle. He became a master of his trade, “somewhere between a magician and a scientist,” and he used his smarts through dice games as a primary means of income to support his growing family. After a brief stint in prison for a credit-card fraud scheme in Aruba, Day, increasingly spiritually minded and determined to get off the streets, returned to Harlem and opened the clothing boutique Dapper Dan, specializing in furs and leathers. “Fashion for me wasn’t about expression,” he writes. “Fashion was about power,” a message that resonated with his neighborhood connections, drawing in the hustlers with money to spend. Day eventually found a creative way to screen print the logos of high-fashion labels, such as Louis Vuitton, Gucci, and Fendi, and make custom clothing for his first customers—the black gangsters of Harlem. Since then, his clothes and vision have become iconic to American hip-hop culture. With clients like Jam Master Jay, Flavor Flav, and Beyoncé, Day continues to have an instrumental effect on black urban culture.

A dynamic version of the mythic American dream.

Pub Date: July 9, 2019

ISBN: 978-0-525-51051-2

Page Count: 304

Publisher: Random House

Review Posted Online: May 11, 2019

Kirkus Reviews Issue: June 1, 2019

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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