Graphic images of adolescent life, softened by a vivid picture of the changing seasons on remote Penikese Island.
Insights into the lives of troubled and often violent youths, by a young man whose own past has certain parallels with theirs.
Robb, a teacher, editor, and sometime carpenter, takes a position at the Penikese Island School, a residential center for delinquent boys near Woods Hole, Massachusetts, where seven or eight boys at a time spend six months on a tiny (75-acre), isolated island under close supervision. While instructing them in grammar and introducing them to poetry, the author also teaches them about respect, responsibility, and the consequences of their actions. When not in the classroom, he works with them: repairing lobster pots and boats, chopping wood, building stone walls, and preparing gardens. Along the way, he slips in lessons about the workings of a pump, the migration of birds, and the concept of nonviolence. A close observer of his young charges’ behavior (which is sometimes frightening) and their language (which is studded with obscenities), Robb looks for answers to the question of how these youths have become the violent, angry outsiders that they are. He comes to see them as outcasts, like the fearful Grendel in the Beowulf saga, having no elders to show them their place in the tribe and give them a sense of belonging. The introspective Robb also writes about his own abandonment by his father and ponders the question of whether he, so deprived, can ever be the elder a boy needs. Never entirely comfortable at the school, he was fearful not only of what the boys may do, but of what he may do in reaction. His leaving, when it came, was without a sense of closure and clearly with mixed feelings about his success.
Graphic images of adolescent life, softened by a vivid picture of the changing seasons on remote Penikese Island.Pub Date: June 13, 2001
ISBN: 0-7432-0238-4
Page Count: 272
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2001
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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