It may be time for Silva's hero to retire from the field and let his protégés take over.

THE NEW GIRL

Gabriel Allon partners with a dubious ally in the Middle East.

When a 12-year-old is abducted from an exclusive private school in Geneva, Allon, head of Israeli intelligence, is among the first to know. The girl’s father is Khalid bin Mohammed, heir to the Saudi throne, and he wants Allon’s help. KBM was once feted as a reformer, ready to bring new industries and new freedoms to his country. When he makes his appeal to Allon, though, KBM is the prime suspect in the murder of a journalist. If KBM immediately makes you think of MBS, you are correct. Silva mentions Mohammad bin Salman, Saudi Arabia’s real-life heir apparent, in a foreword. But anyone who recognizes KBM as a fictional echo of MBS might find this book to be more old news than fresh entertainment. In his last few novels, Silva has turned his attention to current world affairs, such as the rise of the new Russia and the threats of global terrorism. In novels like The Other Woman (2018) and House of Spies (2017), the author was inventive enough that these works felt compelling and original. And, in The Black Widow (2016), Silva wrote much of the story from the point of view of the French-born Israeli doctor Allon recruited for an undercover mission while also expanding the roles of a few familiar secondary characters. Allon is a wonderful creation. In the first several novels in this series, he posed as an art restorer while working for Israel’s intelligence service. He adopted a variety of personas and gave readers access to people and places few of us will ever see. Now that he’s a public figure who can no longer invent alter egos, his world is smaller and less fascinating. The pacing here is slow, and any sense of urgency is undercut by the matter of what’s at stake. Ultimately, this is a narrative about removing one horrible Saudi ruler in order to reinstate a less horrible Saudi ruler. This might be solid realpolitik, but it’s not terribly compelling fiction.

It may be time for Silva's hero to retire from the field and let his protégés take over.

Pub Date: July 16, 2019

ISBN: 978-0-06-283483-6

Page Count: 496

Publisher: Harper/HarperCollins

Review Posted Online: July 1, 2019

Kirkus Reviews Issue: July 15, 2019

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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The characters are paper thin, the plot twists mostly telegraphed, but the betting here is that the Baldacci army will once...

DELIVER US FROM EVIL

In Baldacci’s 19th (True Blue, 2009, etc.), boy and girl monster-hunters meet cute.

Evan Waller, aka Fadir Kuchin, aka “the Butcher of Kiev,” aka “the Ukrainian psychopath,” is one of those deep-dyed villains a certain kind of fiction can’t do without. Serving with distinction as part of the Soviet Union’s KGB, he joyfully and indiscriminately killed thousands. Now, many years later, posing as a successful businessman, he’s vacationing in Provence where, unbeknownst to him, two separate clandestine operations are being mounted by people who do not regard him with favor. Reggie Campion—28 and gorgeous—spearheads the first, an ad hoc group of monster-hunting vigilantes. Studly, tall Shaw (no first name supplied) is point guard for a rival team, shadowy enough to leave the matter of its origin ambiguous. While their respective teams reconnoiter and jockey for position, studly boy meets gorgeous girl. Monster-hunters are famous for having trust issues, but clearly these are drawn to each other in the time-honored Hollywood fashion. Shaw saves Reggie’s life. She returns the favor. The attraction deepens and heats up to the point where team-members on both sides grow unsettled by the loss of focus, singularly inopportune since, as monsters go, Waller rises to the second coming of Caligula—ample testimony furnished by a six-page, unsparingly detailed torture scene. In the end, the stalkers strike, bullets fly, screams curdle the blood, love has its innings and a monster does what a monster’s got to do.

The characters are paper thin, the plot twists mostly telegraphed, but the betting here is that the Baldacci army will once again show the stuff it’s made of.

Pub Date: April 20, 2010

ISBN: 978-0-446-56408-3

Page Count: 416

Publisher: Avon A/HarperCollins

Review Posted Online: Feb. 4, 2011

Kirkus Reviews Issue: April 15, 2010

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